Chambers's Journal of Popular Literature, Science, and Art, Fifth Series, No. 107, Vol. III, January 16, 1886Various
History
Chambers's Journal of Popular Literature, Science, and Art, Fifth Series, No. 107, Vol. III, January 16, 1886
Various
Periodicals
‘Here they come, at anyrate, Mary,’ the old gentleman said, pointing
with his hand down the steep ravine to where a couple of men on
mountain ponies were slowly toiling up the long zigzag path that
climbed the shoulder. ‘Here they come, Theodore Dupuy himself, and that
young Tom Dupuy as well, behind him. There’s one comfort, at anyrate,
in the position of Agualta—you can never possibly be taken by surprise;
you can always see your visitors coming half an hour before they get
here.—Run in, dear, and see about having enough for lunch, will you,
for Tom Dupuy’s sure to stop until he’s had a glass of our old Madeira.’
‘I dislike Tom Dupuy, I think, even worse than his old uncle, Jamie,’
the bland old lady answered softly in her pleasant voice, exactly as if
she was saying that she loved him dearly. ‘He’s a horrid young man, so
selfish and narrow-minded; and I hope you won’t ever ask him again to
come to Agualta. I can hardly even manage to be decently polite to him.’
The two strangers slowly wound their way up the interminable zigzags
that led along the steep shoulders of the Agualta peak, and emerged at
last from under the shadow of the green mango grove close beside the
grassy terrace in front of the piazza. The elder of the two, Nora’s
father, was a jovial, round-faced, close-shaven man, with a copious
growth of flowing white hair, that fell in long patriarchal locks
around his heavy neck and shoulders; a full-blooded, easy-going, proud
face to look at, yet not without a certain touch of gentlemanly culture
and old-fashioned courtesy. The younger man, Tom Dupuy, his nephew,
looked exactly what he was—a born boor, awkward in gait and lubberly
in feature, with a heavy hanging lower jaw, and a pair of sleepy
boiled fish eyes, that stared vacantly out in sheepish wonder upon a
hopelessly dull and blank creation.
Mr Hawthorn moved courteously to the gate to meet them. ‘It’s a long
pull and a steep pull up the hill, Mr Dupuy,’ he said as he shook hands
with him. ‘Let me take your pony round to the stables.—Here, Jo!’ to a
negro boy who stood showing his white teeth beside the gateway; ‘put up
Mr Dupuy’s horse, do you hear, my lad, and Mr Tom’s too, will you?—How
are you, Mr Tom? So you’ve come over with your uncle as well, to see
this stock I want to sell, have you?’
The elder Dupuy bowed politely as Mr Hawthorn held out his hand, and
took it with something of the dignified old West Indian courtesy; he
had been to school at Winchester forty years before, and the remote
result of that half-forgotten old English training was still plainly
visible even now in a certain outer urbanity and suavity of demeanour.
But young Tom held out his hand awkwardly like a born boor, and dropped
it again snappishly as soon as Mr Hawthorn had taken it, merely
answering, in a slow drawling West Indian voice, partly caught from his
own negro servants: ‘Yes, I’ve come over to see the stock; we want some
oxen. Cane’s good this season; we shall have a capital cutting.’
Public-domain text, read in full here on John Shaqi.
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