Chambers's Journal of Popular Literature, Science, and Art, Fifth Series, No. 111, Vol. III, February 13, 1886Various
General
Chambers's Journal of Popular Literature, Science, and Art, Fifth Series, No. 111, Vol. III, February 13, 1886
Various
Periodicals
Cedar Road may, without any great stretch of imagination, be termed
dingy. It is not the dinginess of the typical London street, but a
jaunty kind of griminess, a griminess which knows itself to be grimy,
but swaggers with a pretension of spick-and-span cleanliness; a sort of
place which makes one think of that cheap gentility which wears gaudy
apparel and unclean linen, or no linen at all. I may better explain
my meaning by saying that the majority of the houses were black with
smoke, and yet, singularly enough, the facings of light stone at the
corners had preserved their natural colour, and each house was adorned
by a veranda painted a staring green, which stood out in ghastly
contrast to the fog-stained fronts. Every house had a little grass
plot—called, by a stretch of courtesy, the lawn—fronting it. It was
presumedly of grass, because it was vegetation of some kind, but about
as much like the genuine article as London milk resembles the original
lacteal fluid. In the centre of each ‘lawn’ was an oval flower-bed,
tenanted by some hardy annuals, bearing infinitesimal blooms of a
neutral tint. Each house was approached by a flight of steps rising
from the road, which gentle ascent served to keep the prying gaze of
the vulgar from peering too closely into the genteel seclusion of
the dining-rooms. Every house was the counterpart of its neighbour,
each having the same sad-coloured curtains and wire-blinds on the
ground-floor, the same cheap muslins at the drawing-room windows, and
the same drawn blinds, surmounted with brass rods, to the bedrooms. A
canary likewise hung in a painted cage in every drawing-room window;
No. 34 boasting in addition a stagnant-looking aquarium, containing
three torpid goldfish in extremely dirty water.
After three peals of the bell, each outrivalling its predecessor in
volume, which is not saying much for the bell-metal at No. 34, Mr Slimm
was answered. Through the fragile door he had distinctly heard the
sounds of revelry within, and acquired the information that some mystic
Melissa was ‘tidying,’ and therefore ’Tilda must transform herself for
the nonce into the slave of the bell. By the petulant expression on
’Tilda’s face, the errand was not particularly pleasant to her.
Public-domain text, read in full here on John Shaqi.
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