Chambers's journal of popular literature, science, and art, fifth series, No. 116, Vol. III, March 20, 1886Various
General
Chambers's journal of popular literature, science, and art, fifth series, No. 116, Vol. III, March 20, 1886
Various
Periodicals
The turquoise has in all likelihood been used as a gem from a very
remote antiquity, since the range of mountains where it is plentifully
found is situated at no great distance from the southern shore of the
Caspian Sea, near to, if not within, the area believed by many to have
been the cradle of the human race. By some scholars, it is thought
highly probable that the turquoise was used for inlaying the delicate
and beautiful gold-work of ancient Greece; and at all events, there
is a cameo portrait of a classic Greek prince in this mineral among
the specimens in the famous collection of Marlborough gems. There is
some doubt about the name this precious stone was known by in Pliny’s
time. He mentions that the _callais_, which was probably the turquoise,
was found in Asia, where it occurred projecting from the surface of
inaccessible rocks, whence it was obtained by means of slings; but
these were the days of fables. That it was known to the ancient Romans
is, however, proved by the fact that there still exist some, though
only a very few, of their works of art cut in this mineral.
Want of certainty about the name applied to the turquoise in classic
times leaves us in doubt as to what mystic virtues were then attributed
to it. But in the middle ages, the turquoise, like other gems, was
believed to have wonderful properties; indeed, it was credited with
more supernatural virtues than most of them. The wearer of it had both
his sight strengthened and his spirits cheered; he enjoyed immunity
from the consequences of a fall by the gem itself breaking, in order
to save his bones; and his turquoise, like himself, turned pale if he
became sick. When its possessor died, it entirely lost its colour;
but recovered it again on passing into the hands of a new owner. In
some mysterious way, when suspended by a string, it correctly struck
the hours on the inside of a glass vessel. Other precious stones have
lost all the marvellous powers that belonged to them for centuries:
the emerald no longer relieves the fatigued eyesight; the diamond
cannot now dispel fear; the sapphire, though still cold to the touch,
has ceased to be able to extinguish fire. In these perverse days, the
hailstorm comes down even upon the wearer of an amethyst, and bright
red coral attracts rather than repels robbers. But the turquoise still
retains one of its mysterious properties, and flaunts it in the face of
modern science. Sometimes slowly, sometimes suddenly, it unaccountably
turns pale, becomes spotted, or changes from blue to white; and
specimens that behave in this capricious manner are found more commonly
than those whose colour is distinctly permanent.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account