Chambers's journal of popular literature, science, and art, fifth series, No. 116, Vol. III, March 20, 1886Various
General
Chambers's journal of popular literature, science, and art, fifth series, No. 116, Vol. III, March 20, 1886
Various
Periodicals
The colour of a fine turquoise has not escaped the notice of
enamellers and potters. For centuries, an imitation of its
characteristic and lovely blue has been applied among other colours to
the exquisitely decorated pottery of Persia. On the most expensive and
perhaps also the most beautiful of all porcelain, the Sèvres ware of
soft body made in the latter half of last century, the turquoise blue
is often a conspicuous colour. Towards the end of the century, when
the directors of the far-famed _fabrique_ changed the character of the
china to that of a hard paste or body, its decoration with a turquoise
colour was no longer possible. But modern English porcelain, like the
old Sèvres, is of soft paste; and one of the feats on which our great
Staffordshire potters pride themselves is the successful production
upon it, in recent years, of a soft and clear turquoise blue.
THE HAUNTED JUNGLE.
IN THREE CHAPTERS.
CHAP. III.—THE BREAKING OF THE SPELL.
When the day dawned, it found the púsári still in the temple offering
prayers and supplications to the god for deliverance from the spell
he was under. As soon as it was sufficiently light for him to see his
way, he left the temple and went down into the village. A hope had
risen in his breast that his prayers may have been answered, and he
was anxious to ascertain whether he was still invisible. The hope was
soon dispelled. As he passed the door of a hut, an old man came out
yawning and stretching his arms, and though the púsári stood right
before him, took no notice of him. Filled with despair, the púsári
went to his own house and sat in the porch, a prey to the gloomiest,
most miserable thoughts. He occupied himself in watching Vallee. The
overwhelming grief and agitation of the preceding day had passed off,
leaving her listless, unhappy, and restless. She was trying to attend
to her household duties; but her thoughts were elsewhere, for she
sighed frequently and her eyes filled with tears very often. Every now
and then, she went to the door and glanced out. On one such occasion
she uttered an exclamation of surprise. On looking out, the púsári saw
several men and women whom he recognised as some of his relatives, who
lived in a village at some distance, coming towards him. On entering
the house, one or two of the new-comers saluted Vallee curtly and
coldly, but the rest took no notice of her. Abashed and pained by
their conduct, Vallee retired to a corner and waited to see what they
had come for. They made themselves quite at home at once. It was soon
evident they had heard of the púsári’s disappearance, and were come to
see about his property, being persuaded he would never come back. After
a while, they began to examine the house and to make a sort of rough
inventory of what it contained.
‘What are you doing, uncle?’ asked Vallee of one of them, a thin,
ferrety-faced man, who was her father’s brother.
Public-domain text, read in full here on John Shaqi.
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