Chambers's journal of popular literature, science, and art, fifth series, No. 116, Vol. III, March 20, 1886 — John Shaqi
Chambers's journal of popular literature, science, and art, fifth series, No. 116, Vol. III, March 20, 1886Various
General
Chambers's journal of popular literature, science, and art, fifth series, No. 116, Vol. III, March 20, 1886
Various
Periodicals
With a cry that might have been heard almost in the grave, the unhappy
man shrank from me. At that instant, I turned in the direction to
which he was pointing, with that agonised look upon his face; and as I
did so, I loosened my hold and my hands fell powerless to my side. In
the corner of the chamber hitherto hidden from me, I saw one of those
old-fashioned bedsteads, with heavy draperies around it. The curtains
were of silk, once a pearly white, now dulled and faded by age. The
counterpane and pillow, once like driven snow, were white no more.
Lying on the bed, with her head on the pillow, and her body partially
concealed by the bed-linen, I saw the form of a woman—a woman who must
once have been fair and beautiful to behold. Her luxuriant hair fell
in wreaths on each side her face, and was then brought together over
the bare white throat. Her arms were uncovered by the counterpane, and,
clasping an infant child in their embrace, lay folded across her breast.
As I realised all the details of what seemed like a vision, I confess
that my nerves failed me. I could only look at that cold pale face,
lying so still on the pillow, with the child-face nestling beside it;
and as I looked, I realised that the stillness was the stillness of
death.
Like one entranced, I remained motionless for some moments, when again
I was aroused to action.
A figure clothed in white—the face scarcely less pale than the face of
the dead, the scanty locks of hair, white with age, hanging loosely
about her shoulders, the eyes fixed on the bed, and the hands stretched
out supplicatingly towards it—glided into the room. Then catching sight
of the prostrate figure of the man who had cast himself beside the bed,
with his hands spread out on the form that lay there, this apparition
of woe, turning on me a glance of reproach that will haunt me to my
dying day, exclaimed, amid streaming tears: ‘You have killed him! My
son, my son!’
* * * * *
And now, how shall I finish my story without wearying you with
explanations? Let me go back to that old question once asked by Gideon
West: ‘What if success should come too late?’ For all the happiness
it could bring him, it did come too late. His struggle with fate, if
not a long, had been a bitter one. There fell a grievous sickness on
the neighbourhood; disease and death stalked abroad, and mowed down
their victims without counting the numbers. Against the grim tyrants,
Gideon West fought day and night; his energy was endless, his courage
undaunted; and he triumphed. No; not Gideon West; but the weapons of
science triumphed in his hands. Disease and death were driven from the
field; as they fled, they shot one last bolt at their victor—it glanced
off his armour, but left his wife and child dead at his side.
Public-domain text, read in full here on John Shaqi.
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