Chambers's Journal of Popular Literature, Science, and Art, fifth series, no. 117, vol. III, March 27, 1886Various
History
Chambers's Journal of Popular Literature, Science, and Art, fifth series, no. 117, vol. III, March 27, 1886
Various
Periodicals
Mr Dupuy drew himself up very stiffly, and answered in a tone of the
chilliest order: ‘I don’t know to whom you can be alluding, sir, when
you speak of “Nora;” but if you refer to my daughter, Miss Dupuy,
I regret to say she is suffering just at present from—ur—a severe
indisposition, which unfortunately prevents her from paying a call on
Mrs Hawthorn.’
Edward coughed an angry little cough, which Marian saw at once meant
a fixed determination to pursue the matter to the bitter end. ‘Miss
Dupuy herself requested me to call her Nora,’ he said, ‘on our journey
over, during which we naturally became very intimate, as she was put in
charge of my wife at Southampton, by her aunt in England. If she had
not done so, I should never have dreamt of addressing her, or speaking
of her, by her Christian name. As she did do so, however, I shall take
the liberty of continuing to call her by that name, until I receive
a request to desist from her own lips. We have long been expecting a
call, I repeat, Mr Dupuy, from your daughter Nora.’
‘Sir!’ Mr Dupuy exclaimed angrily; the blood of the fighting Dupuys was
boiling up now savagely within him.
‘We have been expecting her,’ Edward Hawthorn repeated firmly; ‘and I
insist upon knowing the reason why you have not brought her with you.’
‘I have already said, sir,’ Mr Dupuy answered, rising and growing
purple in the face, ‘that my daughter is suffering from a severe
indisposition.’
‘And I refuse,’ Edward replied, in his sternest tone, rising also, ‘to
accept that flimsy excuse—in short, to call it by its proper name, that
transparent falsehood. If you do not tell me the true reason at once,
much as I respect and like Miss Dupuy, I shall have to ask you, sir, to
leave my house immediately.’
A light seemed to burst suddenly upon the passionate planter, which
altered his face curiously, by gradual changes, from livid blue to
bright scarlet. The corners of his mouth began to go up sideways in
a solemnly ludicrous fashion: the crow’s-feet about his eyes first
relaxed and then tightened deeply; his whole big body seemed to be
inwardly shaken by a kind of suppressed impalpable laughter. ‘Why,
Tom,’ he exclaimed, turning with a curious half-comical look to his
wondering nephew, ‘do you know—upon my word—I really believe—no,
it can’t be possible—but I really believe—they don’t even now know
anything at all about it.’
‘Explain yourself,’ Edward said sternly, placing himself between Mr
Dupuy and the door, as if on purpose to bar the passage outward.
‘If you really don’t know about it,’ Mr Dupuy said slowly, with an
unusual burst of generosity for him, ‘why, then, I admit, the insult to
Miss Dupuy is—is—is less deliberately intentional than I at first sight
imagined.—But no, no: you _must_ know all about it already. You can’t
still remain in ignorance. It’s impossible, quite impossible.’
‘Explain,’ Edward reiterated inexorably.
‘You compel me?’
‘I compel you.’
‘You’d better not; you won’t like it.’
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account