Chambers's Journal of Popular Literature, Science, and Art, fifth series, no. 121, vol. III, April 24, 1886 — John Shaqi
Chambers's Journal of Popular Literature, Science, and Art, fifth series, no. 121, vol. III, April 24, 1886Various
General
Chambers's Journal of Popular Literature, Science, and Art, fifth series, no. 121, vol. III, April 24, 1886
Various
Periodicals
We English seem to have selected the mouse as an emblem in our ‘As
dumb as a mouse;’ the French have preferred a glass, for they say, ‘As
dumb as a glass.’ We say, ‘As deaf as a post;’ the French, ‘As deaf
as a pot.’ ‘As dull as ditch-water,’ Gallicised becomes, ‘As sad as
a nightcap.’ ‘Don’t count your chickens before they are hatched,’ is
changed into, ‘Don’t sell the skin of a bear before having killed it.’
Instead of, ‘Biting off one’s nose to spite one’s face,’ a similarly
useless experiment is illustrated by ‘Spitting in the air that it may
fall on one’s nose.’ The self-evident impossibility in the words, ‘You
can’t get blood out of a stone,’ is represented by, ‘One could not
comb a thing that has no hair.’ (This last also ‘goes without saying,’
which, as literally translated from the French, now forms a proverb
in our own language.) In the proverb, ‘One man may lead a horse to
the water, but a hundred can’t make him drink,’ our neighbours have
not inappropriately selected an ‘ass’ as the illustrative animal.
‘When you’re in Rome, you must do as Rome does,’ every Englishman
will tell you; though few perhaps could say why Rome was chosen as an
example; and whether it is more necessary, when in Rome, to follow the
general lead, than in anywhere else, is to us a matter of doubt. To
the Frenchman, the idea is sufficiently well expressed, however, by
impressing upon you the necessity of ‘howling with the wolves.’ ‘Easy
come, easy go,’ though terse and to the point, is in itself scarcely
so intelligible as the somewhat longer sentence, ‘That which comes
with the flood, returns with the ebb.’ That ‘a burnt child dreads the
fire’ is perfectly true, as every one will admit: our neighbours go
farther than this, and, in choosing a ‘scalded cat’ as the object of
consideration, speak of it as being in fear of ‘cold’ water even, thus
expressing the natural distrust of the cat, after having once been
scalded, as extending even to ‘cold’ water. ‘Money makes the mare to
go;’ and ‘For money, dogs dance.’
The advisability of ‘letting sleeping dogs lie’ is very seldom
questioned; in France the recommendation simply takes the form, ‘Do not
wake a sleeping cat.’ In England at least, it is said that ‘Birds of
a feather flock together;’ or, to put it less poetically, ‘Those who
resemble, assemble.’ Naturally, ‘A thief is set to catch a thief;’ or,
in other words, ‘A good cat to a good rat;’ ‘A thief and a half to a
thief.’ Evidently one thief is not always sufficient; more are required
at times. That ‘Practice makes perfect’ is equally true with ‘It is in
forging that one becomes a blacksmith.’ And speaking of an ‘ill wind
that blows nobody good,’ the fact that ‘to _some one_, misfortune is
good,’ is equally applicable, if the phrase were not un-English. The
cat seems to figure rather prominently in French proverbs. Instead of
buying a ‘pig in a poke,’ ‘a cat in a bag’ is often spoken of.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account