Chambers's journal of popular literature, science, and art, fifth series, no. 122, vol. III, May 1, 1886Various
History
Chambers's journal of popular literature, science, and art, fifth series, no. 122, vol. III, May 1, 1886
Various
Periodicals
Tom Dupuy took the programme ungraciously, and glanced down it with
an angry eye. He read every name out aloud till he came to number
eleven, ‘Dr Whitaker.’ As he reached that name, his lip curled with
an ugly suddenness, and he handed the bit of cardboard back coldly to
his defiant cousin. ‘Very well, Miss Nora,’ he answered with a sneer.
‘You’re quite at liberty, of course, to choose your own company however
it pleases you. I see your programme’s quite full; but your list of
names is rather comprehensive than select, I fancy.—The last name was
written down as I was coming towards you. This is a plot to insult
me.—Dr Whitaker, we shall settle this little difference elsewhere,
probably—with the proper weapon—a horsewhip. Though your ancestors,
to be sure, were better accustomed, I believe, sir, to a good raw
cowhide.—Good-evening, Miss Nora.—Good-evening, Dr Whitaker.’
The mulatto’s eyes flashed fire, but he replied with a low and
stately bow, in suppressed accents: ‘I shall be ready to answer you
in this matter whenever you wish, Mr Dupuy—and with your own weapon.
Good-evening.’ And he held out his arm quietly to Nora.
Nora rose and took the mulatto’s proffered arm at once with a sweeping
air of utter indifference. ‘Shall we take a turn round the gardens,
Dr Whitaker?’ she asked calmly, reassuring herself at the same time
with a rapid glance that nobody except poor frightened Mrs Pereira had
overheard this short altercation.—‘How lovely the moon looks to-night!
What an exquisite undertone of green in the long shadows of those
columns in the portico!’
‘Undertone of green!’ Tom Dupuy exclaimed aloud in vulgar derision (he
was too much of a clod to see that his cue in the scene was fairly
past, and that dignity demanded of him now to keep perfectly silent).
‘Undertone of green, indeed, with her precious nigger!—Mrs Pereira,
this is your fault! A pretty sort of chaperon _you_ make, upon my word,
to let her go and engage herself to sit out a dance with a common
mulatto!—Where’s Uncle Theodore? Where is he, I tell you? I shall run
and fetch him this very minute. I always said that in the end that girl
Nora would go and marry a woolly-headed brown man.’
CHAPTER XXIV.
Nora and the mulatto walked across the garden in unbroken silence, past
the fountain in the centre of the courtyard; past the corridor by the
open supper-room; past the hanging lanterns on the outer shrubbery; and
down the big flight of stone steps to the gravelled Italian terrace
that overlooked the deep tropical gully. When they reached the foot of
the staircase, Nora said in as unconcerned a tone as she could muster
up: ‘Let us walk down here, away from the house, Dr Whitaker. Tom may
perhaps send papa out to look for me, and I’d rather not meet him till
the next dance is well over. Please take me along the terrace.’
Public-domain text, read in full here on John Shaqi.
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