Chambers's journal of popular literature, science, and art, fifth series, no. 122, vol. III, May 1, 1886Various
History
Chambers's journal of popular literature, science, and art, fifth series, no. 122, vol. III, May 1, 1886
Various
Periodicals
Seated at one of the narrow tables on the opposite side of the room,
and facing the door, was a man who took my attention more than any one
there, the _cafetier_ excepted. He was a full-cheeked, heavy-browed
man, not tall, but strongly built, and with something of that added
corpulence which so often comes with middle age. He had close-cropped
iron-gray hair, which stood out like a stiff stubble in every
direction; but his moustache and imperial were jet black, and therefore
presumably dyed. He had a rather thick aquiline nose, and he wore a
pair of gold-rimmed spectacles; but once or twice I caught a glance
from his eyes, which were steel-gray in colour, so keen and piercing,
that his assumption of artificial aid for them seemed somewhat of a
mockery. He was dressed in a tightly buttoned black frock-coat, and
wore a wisp of black ribbon round his neck, tied in a formal little
bow under his turn-down collar. His trousers were dark gray in colour,
and his feet were incased in a pair of broad-toed varnished boots. His
rather large plump hands were white and shapely, and his filbert nails
were carefully trimmed. He looked so superior to the general run of
the other frequenters of the coffee-shop whom I had hitherto seen,
that he had an air of being altogether out of place. He neither spoke
to nor was addressed by any one except Jean, who served him with his
chocolate, but seemed immersed in the contents first of one foreign
newspaper and then of another, several of which were spread on the
table in front of him. Still, notwithstanding his seeming indifference
to everything that was going on around him, an impression somehow got
possession of me that not a man entered or left the place without being
keenly scrutinised from behind those gold-rimmed spectacles, while more
than once I had an uneasy consciousness that I was the object who was
being photographed by that coldly penetrative gaze.
As soon as I had finished my chop, Jean came to clear the table, upon
which I took the opportunity of saying to him: ‘I shall require a bed
here to-night. I suppose you can find room for me?’
He stared at me for a moment or two in open-eyed astonishment. Then he
said: ‘Monsieur is mistaken. We have no beds for strangers here.’
‘Then why have you the announcement of “Good Beds” painted up on the
lamp outside?’ I demanded a little hotly.
Jean shrugged his shoulders. ‘Ah, that is a mistake—all at once a
mistake,’ he answered with his strong French accent. ‘The Englishman
who had this place before Monsieur Karavich, used to let out beds; but
Monsieur Karavich, who has been here but two months, does not. No.’
At this juncture M. Karavich himself appeared on the scene. He had come
to ascertain what the discussion was about. He put a question to Jean
in French, and the latter answered him volubly in the same language.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account