Chambers's journal of popular literature, science, and art, fifth series, no. 125, vol. III, May 22, 1886 — John Shaqi
Chambers's journal of popular literature, science, and art, fifth series, no. 125, vol. III, May 22, 1886Various
History
Chambers's journal of popular literature, science, and art, fifth series, no. 125, vol. III, May 22, 1886
Various
Periodicals
On being brought into the yards, the herrings are emptied into large
square wooden boxes called ‘forelands,’ many of which are under a
roof, so that the women who gut the fish may be protected from the
heat of the sun or the inclemency of the weather. To those who see
them for the first time in a heavy fishing-night, the gutters count
one of the sights of the trade; and their persons, as they appear clad
in oilskins and besmeared with blood from head to foot, reminds one
of an Indian in his war-paint fresh from battle. These women, from a
life-long experience, show the greatest dexterity in their work; and
the rapidity with which they seize a herring, enter the knife at its
gills, remove the gut, and throw the offal into one tub and the fish
into another, is one of the features of the business, and, in the eyes
of a stranger, appears part of a juggler’s education. In the course
of an afternoon and evening, one crew of women—comprising two gutters
and one packer—will have a good many rows of barrels at their credit,
representing earnings of from ten to twenty shillings. On all occasions
when the fishing is heavy, these women are obliged to work at any hour;
and as it often happens that the boats are late in arriving, curing
operations go on all night, rendering a curing-yard, if not a pretty,
an interesting sight. From end to end of the premises are rows of
forelands heaped with herrings, whose silvery scales glitter in the
light thrown from the blazing naphtha lamps suspended overhead, the
rays of which, again, play upon the surface of the water in the harbour
in a way that recalls memories of historic cities by sea and lake.
Public-domain text, read in full here on John Shaqi.
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