Chambers's Journal of Popular Literature, Science, and Art, fifth series, no. 132, vol. III, July 10, 1886Various
History
Chambers's Journal of Popular Literature, Science, and Art, fifth series, no. 132, vol. III, July 10, 1886
Various
Periodicals
We find ourselves in a long narrow building, some forty or fifty feet
in length, and ten or twelve in width. On one side is a staircase
leading to the upper floors; on the other, a narrow gangway, kept clear
of encumbrances, runs from end to end of the building. A wide doorway,
like that of a coach-house, opens upon the main street; and at the
farther end, facing the doorway, are three stalls, in each of which
stands a horse, wearing a blind-halter, but otherwise unencumbered,
and not attached in any way to the stall. A single line of rails is
laid in the floor from end to end, on which rest the wheels of the
engine and hosecart; for, unlike our English machines, the engine does
not carry either the hose itself or the men who work it, a separate
two-wheeled vehicle, something of the build of a small wagonette, being
employed for this purpose. This hosecart stands in front of the engine,
and carries, besides the long coil of tube, all the appliances, such as
axes, ropes, &c., which are likely to be needed at a fire; and a couple
of the portable chemical engines, known as _Extincteurs_, packed away
in boxes beneath the seats. Both engine and hosecart are furnished with
large clear-toned bells, and it is the duty of one of the men to keep
these bells ringing during the whole journey to a fire, as a warning
to all other traffic to leave the car-tracks in the centre of the
street clear for the passage of the engine. The clamour of these bells,
as, in the dead of night, engine after engine rushes at full gallop
through the streets, is one of the most impressive accompaniments
of a great fire, and is a far more effectual means of clearing a
crowded thoroughfare than the shouts of the firemen, so familiar to a
Londoner’s ears.
Public-domain text, read in full here on John Shaqi.
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