Chambers's Journal of Popular Literature, Science, and Art, Fifth Series, No. 148, Vol. III, October 30, 1886Various
History
Chambers's Journal of Popular Literature, Science, and Art, Fifth Series, No. 148, Vol. III, October 30, 1886
Various
Periodicals
‘Well, you see,’ said Alfred, who had now regained his self-possession,
‘my friends advised me to break off the connection. You know, between
ourselves, it wouldn’t do for a literary man of any standing to marry a
common innkeeper’s daughter; although I must say the girl herself was
well enough, and might have passed muster after a little training.’
The editor’s eyes became blacker, keener, and sharper—they seemed
almost to flash fire as he said; ‘You would know what she was, I
suppose, when you sought her love.—Yes? Then what right had you to
avail yourself of that as an excuse for casting her off? It’s about the
most unmanly thing I ever’——
‘Hold, hold!’ cried Alfred, who saw he had gone on the wrong tack for
conciliating the editor’s favour. ‘You misunderstand the matter. My
friends wanted me to break off the marriage; but I never proposed such
a thing to the young lady. I meant to marry her in two or three years
honourably. But she wrote to me; and I went down to see her—and we had
a quarrel, and she broke off the engagement herself—upon my honour, she
did!’
The editor’s features relaxed their tension; there was almost the
suggestion of a smile lurking in the corners of his mouth. ‘Well, Mr
Roberton, I am glad you have cleared your character so well.—You are
anxious to know why I accepted your first paper. This, I think, will
explain it,’ he added, unlocking a private drawer and handing him a
manuscript.
Alfred looked at it with a stupefied air. Here were a dozen sheets of
foolscap covered with Nan’s neat lady-like writing, and signed Ariel;
reply to be addressed, Ariel, Glenluce post-office.—To lie till called
for.
He felt as if he were listening to a voice in a dream, as the editor
went on to say: ‘You see, sir, I heard that Nan was going to be married
to a young student she had met in Brussels. Now, students, as a rule,
are not over-burdened with ready cash; and when I got the manuscript
in her handwriting, I readily came to the conclusion that it was a
production of her lover’s, and that she had copied it out in her own
handwriting, thinking that, for old acquaintance’ sake, I would stretch
a point, and give it admission to our pages, and pay handsomely for it.
This I did; for I thought that, as her father would be certain to be
opposed to the match, a little ready cash would be useful to her and
her lover in taking up house. In fact, I may say I sent the little sum
as a marriage present! But I cannot understand how you are not aware of
all this.’
Public-domain text, read in full here on John Shaqi.
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