Chambers's Journal of Popular Literature, Science, and Art, No.690: March 17, 1877 — John Shaqi
Chambers's Journal of Popular Literature, Science, and Art, No.690: March 17, 1877Various
History
Chambers's Journal of Popular Literature, Science, and Art, No.690: March 17, 1877
Various
Periodicals
The historically famous 'Lions in the Tower' gradually ceased to be a
source of wonderment when Zoological Gardens became familiar; and the
collection was dispersed about forty years ago. It had been a custom
in the old times to name the Tower lions after the reigning sovereigns
of Europe; and indeed the lion has generally been regarded as a royal
beast. Lord Mahon, in his _History of England_, quotes a passage from
the Earl of Chesterfield, tending to shew that there was a bit of
superstition mixed up with this matter. Under date 1758 the Earl wrote:
'It was generally thought His Majesty would have died, and for a very
good reason; the oldest lion in the Tower, near about the king's age,
died about a fortnight ago.' But the king outwitted the lion, by living
two years longer. A printer of ballads, not many years back, tried to
make a little money by a smart bit of April Fooling. Knowing that many
country people are still ignorant of the fact that the lions have long
been removed from the Tower, he printed penny tickets purporting to
admit the holder to witness the annual ceremony of washing the lions in
the Tower on the First of April; how many ninnies were taken in by the
trick, the record does not say.
Van Amburgh, the most renowned, perhaps, of all the lion-kings, came
to England a year or two before the beginning of the reign of her
present Majesty. He was a native of Holland, well-formed and handsome;
and his collection of trained lions, tigers, &c. drew immense numbers
of spectators. Van Amburgh's cool daring was remarkable; and when
Edwin (afterwards Sir Edwin) Landseer exhibited at the Royal Academy
his picture of the lion-king in the midst of his trained quadrupedal
pupils, the excitement spread to a class of society above that which
is usually supposed to be weak on such points. Van Amburgh's career in
England continued on and off for some years. One of his exhibitions
included a black tiger, a colour rarely met with in that animal; and a
sort of drama was got up in which the lion-king personated Moroff, a
brute-tamer. Among the bits of gossip which cannot well be traced to
an authentic source, is one to the effect that the Duke of Wellington
(who is known to have had a liking for the performances of Van Amburgh)
once asked him whether he was ever afraid; to which the brute-tamer
replied: 'The first time I am afraid, your Grace, or I fancy that my
pupils are no longer afraid of me, I will give up.' Van Amburgh was
killed more than once by the newspapers, as 'Manchester Jack' had been;
but Mr Frost (whose curious volume, _The Old Showman_, is a veritable
storehouse of gossip on these subjects) states that the hero retired
with a competency, and lived till a recent date.
Public-domain text, read in full here on John Shaqi.
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