Chambers's Journal of Popular Literature, Science, and Art, No. 719: October 6, 1877 — John Shaqi
Chambers's Journal of Popular Literature, Science, and Art, No. 719: October 6, 1877Various
General
Chambers's Journal of Popular Literature, Science, and Art, No. 719: October 6, 1877
Various
Periodicals
The household arrangements of these posting establishments are often
very primitive. The front door sometimes opens into the sleeping-room
of the entire family; and if you arrive any time after nine P.M. you
may see on entering the master and mistress of the mansion reposing
on a broad high shelf at one end of the room near the stove, while
the rest of the family and guests of lowly degree recline around on
benches, or on the floor, where they can at least have what room
they require. This is a luxury which no tall tourist need expect in
a Norwegian guest-chamber; there the beds, although furnished with
appliances for making them as wide, if need be, as the famous bed of
Ware, are seldom longer than five feet eleven.
The roads, although necessarily steep at places, are fairly good; but
most of the bridges are constructed in a very primitive style. The
natives are a kind, hospitable, honest, but somewhat apathetic race.
Watching their stolid expressionless faces, one cannot help wondering
where the superabundant energy of the old vikings has betaken itself
to. During the long winter evenings, the women knit and spin a great
deal. They provide themselves plentifully with household linen and
homespun clothes, which are often of a dark-brown colour, enlivened
in the case of the men by a bright scarlet cap, and in that of the
women by a white kerchief tied under the chin. In appearance, a small
Norwegian farmer is very like an English labourer. His house, built of
wood and thatched with sods, is devoid of ornament, but has no lack of
solid comfort, and is sufficiently warmed by a huge quaint-looking iron
stove.
The women on holiday occasions turn out in the old Norse costume, the
chief feature of which is the bodice, which is often made of some
bright-coloured velvet, turned down in front with white silk, and laced
before and behind, according to our author, 'with several yards of fine
silver chain, each chain ending in a silver bodkin, in order that they
may be the better threaded through double rows of eyes (in themselves
strikingly pretty articles of silver), that run in four lines up the
back and front of this showy piece of Scandinavian haberdashery.' Both
men and women are very fond of large bright buttons and of silver or
plaited ornaments.
Public-domain text, read in full here on John Shaqi.
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