Chambers's Journal of Popular Literature, Science, and Art, No. 726: November 24, 1877Various
History
Chambers's Journal of Popular Literature, Science, and Art, No. 726: November 24, 1877
Various
Periodicals
From Mr Streeter we learn that in commercial estimation, coloured
gems stand far behind the diamond; insomuch, he tells us, that this
stone represents ninety per cent., and the others altogether only ten
per cent. of the quantity on sale. A hundred years ago, Brazil became
the rival of India in the production of diamonds, and the finders
were the poor mulattos and negroes, who explored for them the sterile
wilds of Minas-Novas, and sold them to the merchants. The story of
the discovery of these gems at Bahia is as follows: A slave who came
from Minas-Geräes was tending his master's flocks in Bahia, and he
noticed that the soil resembled that of his native place. He groped
in the sand and found seven hundred carats of diamonds. He ran away,
and offered the gems for sale in a distant city. Of course such wealth
in the hands of a slave aroused suspicion, and the negro was arrested
and sent back to his master, who tried in vain to come at a knowledge
of his secret. At last he bethought him of sending the slave again to
tend his flocks at Bahia, and he watched him. Again the slave-shepherd
groped in the gem-hiding sand, and the truth was discovered. Then came
numbers of wealth-seekers from Minas-Geräes and other parts of Brazil,
so that the next year twenty-five thousand men were diamond-hunting in
Bahia, and the amount daily obtained for some time rose to one thousand
four hundred and fifty carats. The trade was a prerogative of the
Portuguese crown, and Lisbon was the chief emporium of the gems. The
precious things are of fluctuating value. In 1836 they were very dear;
but in 1848 the price fell; and a few years ago there was 'a glut in
the market,' in consequence of Dom Pedro's having paid the Brazilian
state debt to England in diamonds instead of money, when the price fell
fifty per cent. in the Leipsic market.
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