Chambers's Journal of Popular Literature, Science, and Art, No. 733, January 12, 1878Various
History
Chambers's Journal of Popular Literature, Science, and Art, No. 733, January 12, 1878
Various
Periodicals
The equanimity, and indeed the good-humour, with which these blacks
seemed to endure their fate, indicated, we thought, good points
of character. Nowhere in travelling about did we observe anything
positively disagreeable, to remind us that the labourers in the fields
or the loiterers at doorways were slaves. Often, we heard singing
and jollity, as if light-heartedness was on the whole predominant.
Obviously, slave-owners were not all Legrees. On the contrary, in
many instances they shewed a kind indulgence to their ‘servants,’ as
they called them, and were pleased to see them singing, laughing, and
making merry in the intervals of rest from labour. Perhaps this is not
saying much, for the singing of slaves may be compared to the notes
of a bird in captivity, to be admired, but pitied. Anyway, there was
a disposition to seek solacement in the outpouring of song. If not
intellectually brilliant, the negro is naturally vivacious. Even when
he grows old, he is still something of a boy, with an inherent love of
frolic. He is clever in picking up tunes, and one of the complaints
which we heard against him in a free state was that if not looked
after by his master, he would continually go out to entertainments and
dance all night. A curious result of the taste for music has been the
creation of what are known as negro melodies; partly suggested by old
English airs, and by the psalm and hymn tunes that had been heard at
church or in the devotional exercises of missionaries. With a blended
simplicity and oddity, the negro airs which have gained currency are
wonderfully harmonious and touching. The time is well marked, shewing
correctness of ear, and accordingly the pieces, however eccentric
in language, are well adapted for singing in harmony by a number of
voices. From the performances of the ‘Christy Minstrels,’ as they
are usually designated--white men with blackened faces imitative of
negroes--people will have a pretty good idea of the melodies we speak
of; but we should say that the real thing is to be obtained only from a
band of genuine negroes, who for some years have been travelling about,
and who style themselves the Jubilee Singers. Of these we want to say
something.
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