Chambers's Journal of Popular Literature, Science, and Art, No. 733, January 12, 1878Various
History
Chambers's Journal of Popular Literature, Science, and Art, No. 733, January 12, 1878
Various
Periodicals
By-and-by the school, or we might say schools, throve. Thousands of
negroes were taught by a band of eager teachers, some of whom only a
short time before did not know one letter from another. There was an
honest enthusiasm in the whole affair that brought with it the blessing
of success. Again we are called on to note what good is often done by
the quiet unprompted and unselfish energy of a single individual. About
the time when the Fisk University was organised, there cast up a young
man named White, who, looking about for a means of livelihood, took up
the profession of teacher. He was the son of a village blacksmith in
the state of New York, had fought in several battles during the war,
and made himself useful in connection with the Freedman's Bureau at
Nashville. He had a special taste for vocal music, with which he amused
his leisure hours, and this accomplishment along with good business
habits, made him very acceptable as a coadjutor in the University.
White started a singing class among the negroes, male and female, who
came to get lessons in reading; and, pleased with their aptitude, he
fell upon the bold plan of drilling them as a choir of singers, who
should travel through the Northern cities in the hope of gathering
money to help the University funds. Getting his band into trim, he set
out with them on a musical excursion in October 1871, carrying with
them the good wishes of all, from the Principal of the institution
downwards.
In our own country, the getting up of a university, or even the
enlargement of one, is ordinarily a serious affair. Unless some wealthy
person has bequeathed money for the purpose, government is worried
for grants, and the public are worried for subscriptions. Keeping
proceedings of this kind in view, one can hardly fail to be amused
with the novel and heroic notion entertained by a dozen simple-minded
negroes in trying to collect fifty to a hundred thousand pounds
for a University by mere dint of singing a few simple hymns, which
illustrious dons of the musical profession would only laugh at. Yet,
this is what was attempted. Led by White as general manager, and by
Miss Wells, who took the oversight of the girls of the party, the
negroes went on their way, poorly clothed, and with barely means to
pay for a night's lodging. We observe by the history given of them,
that they trusted a good deal to kind treatment from Congregational
and other churches. They got the gratuitous use of chapels for their
concerts, or what were termed ‘praise services,’ and when they became
known, engagements freely poured in upon them. The sweetness of the
voices, the accuracy of the execution, the precision of the time,
and the wild simplicity of the words, astonished the audiences who
listened to them; the wonder being of course augmented by the fact of
their colour and the knowledge that only a few years ago these singers
had been slaves. Although generally well received, they had at first
numerous difficulties to encounter.
Public-domain text, read in full here on John Shaqi.
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