The vicissitudes of travelling at home and abroad during several years led to changes in the company of singers. When members were obliged to retire, others equally qualified took their place. At different times twenty-four persons in all have belonged to the company. All of them have been slaves or of slave parentage. Excepting a few mulattoes, all have been of a pure negro type; and their respective histories offer some interesting facts concerning the condition of people of colour in the slave states up till the period of general emancipation. It is gratifying to know that the extraordinary change of life from privation and contumely to comfort and public respect has not uplifted the feelings, or materially altered the habits of the members of the corps. In their moral and religious obligations they have ever been irreproachable. We are told that none of them uses tobacco; and their English friends, whose hospitalities have been so abundant, are equally surprised, if not gratified, to find that they are inveterate abstainers from alcoholic liquors. Considering the temptations and buffetings of their early life, there is not a little to admire in the conduct as well as in the accomplishments of the several individuals composing the party. The energetic yet modest way they have acquitted themselves in the routine of the very peculiar duties imposed on them, is probably not often met with in parties of higher pretensions. We have now in brief told the story of the Jubilee Singers, and it is more than ordinarily remarkable. A handful of freed negro slaves undertaking by voluntary efforts to collect funds wherewith to establish and support a University, having for its object the higher education of the coloured population in the United States. The enterprise has had no parallel. These negroes do not beg, nor do they trouble people for subscriptions. They only try to raise funds by the exercise of their talents in an honest line of industry, by communicating pleasure to countless audiences. Amidst the frauds and commercial rascalities of pompous pretenders that are becoming a scandal to the age, the unselfish and noble endeavours of these humble melodists stand out in marked contrast, as something to applaud and to redeem human nature. The marvel of the enterprise has been its universal success. High and low are equally pleased. Professing no particular knowledge in music, but yielding to none in an ardent admiration of the simpler class of national ballads and songs, we have listened to the melodies of the Jubilee Singers with heartfelt delight. Whether with or without instrumental accompaniment, the melodies might be described as supplying a new relish. It has been remarked that the greater number of the pieces are in the same scale as that in which Scottish music is written, with the fourth and seventh tones omitted. This would only indicate the untutored nature of their origin, and the wonder is greater at the effects produced.