At a performance of _Norma_ at the Cork Theatre, in which Cruvelli played the heroine, the little daughters of the carpenter were pressed into service to represent the children of the priestess. As the curtain drew up on the second act they were seen lying on Norma’s couch quiet enough, for they were frightened nearly to death by the glare of light, the noise in front, and their unaccustomed surroundings. Their fright increased as Norma vented her jealous rage in recitative; and when, dagger in hand, she rushed towards them, they gave a shriek, tumbled off their couch, and ran off the stage as fast as their legs would take them, while the theatre rang with laughter, and Norma herself was fain to sit down until she had recovered from the effect of the unexpected episode. Boleno the clown never evoked heartier merriment than that caused by his first appearance in public as one of the ‘principal waves’ in the nautical piece _Paul Jones_. It was at Sadler’s Wells Theatre, soon after the ‘real water,’ for which that house was long famous, had given place to the conventional canvas sea with its wave-rolling boys underneath. The last scene represented the ocean, bearing on its expanse of waters two ships preparing for action. The waves rolled as the boys bobbed up and down, and all would have gone well, had not Master Harry discovered a small hole in the canvas above him. Into this hole he put two fingers, intending to take a peep at the front of the house. The rotten stuff gave way; the waters of the Atlantic divided, and disclosed a small head besmeared with blue paint—the result of friction against the painted cloth. Catching sight of this, young Joe Grimaldi, who was the captain in command of one of the vessels, called out: ‘Man overboard!’ while the stage-carpenter shook his fist at the appalled offender, causing that luckless young rascal to disappear from view, and bob with such vigour at a remote distance, that a sudden storm seemed to have broken over the ocean far away.