Without giving an opinion on this very vexed question, we may express a
hope that a policy of prudence and moderation will govern the action of
those who are concerned with women's education, for the degree of
alteration which may be necessary in women's life to make them fitted
to receive Western civilisation will be a matter rather of experiment
than of theory. At any rate let Christianity precede any large
alterations, for Christianity alone can make the life of a Western
woman intelligible and consistent to her Eastern sister.
{137}
CHAPTER XI
CHINESE ARCHITECTURE
Among the many ways a nation has of expressing its thoughts and of
showing its individuality, none is more valuable to mankind in general
than its art.
Perhaps it can be said that every civilised nation has contributed to
the common stock of art, and certainly China has done her share. The
porcelain which is called after her name testifies to her pre-eminence
in ceramic art, and should make Westerns cautious in expressing their
contempt for a race which is generally acknowledged to be the
originator of this industry. I will not attempt to express an opinion
about the mysteries of this art, except to regret that the name of the
country should be so attached to this product of her skill as
constantly to cause confusion. When my friend Archdeacon Moule
published his interesting book on "New China and Old," a lady wrote to
him to say that she did not care for new china, but as she was a
collector of old china, she would much like to read his book.
China has contributed to other forms of art as well. Her embroideries
and her lacquer work are well known; her ivory carving and silver work
have found a place in every collection. Her art, as we {138} might
expect from a race which has been under artificial conditions of
civilisation for many years, is distinctly artificial. In it you can
see the spirit of a race who for many centuries have been taught to
control themselves and to avoid the natural expression of their
feelings. If it is artificial in form, it is pleasing in colour and
superb in workmanship. There are few who will not agree that every
effort should be made to preserve these arts from being injured by a
false admiration of Western models. The only possible exception being
modern embroideries, which might be considerably improved if more
harmonious colours were blended together.
Public-domain text, read in full here on John Shaqi.
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