Chantemerle : $b A romance of the Vendean WarBroster, D. K. (Dorothy Kathleen)
History
Chantemerle : $b A romance of the Vendean War
Broster, D. K. (Dorothy Kathleen)
France -- History -- Revolution, 1789-1799 -- Fiction; France -- History -- Wars of the Vendée, 1793-1832 -- Fiction
The girl lifted a white face. “Louis, I conjure you . . . he trusts
you, he trusts us. He has always trusted us, nobly, generously——”
“Are you going to sing Gilbert’s praises to me?”
“—Generously and fully. You have been boys together—we cannot do this.
It is like stabbing him in the back. O Louis, dear Louis, you know I
would come with you if I could—you do not think it is easy for me
either, do you, Louis? . . . You know that I love you with all my
heart . . . but I can’t do it. . . . Mary Mother! help me—help
him!” Her eyes closed; her hands, imprisoned as she was, joined
themselves. And for the second time the young man, now nearly as
white as she, let her go.
“I want no saints between us, Lucienne,” he said, very low. “You
are saint enough for me. . . . And you have no need to invoke
angelic protection against me; you have had it, I think, these many
months . . . else you would have known before to-day what I never
meant to tell you even now, God knows!”
The sudden agony in his voice showed the girl that the day was not yet
lost. Still there was time for the anguish of victory. But was it not
for defeat that her soul cried out? . . . Not till now did she realise
that under this strife of the heart there lay a jewelled picture in
her mind—the little chapel at the Recollets, the decked altar, the
priest bending over two figures that knelt there side by side. It
flashed up now, warm and brilliant, flashed and faded as she turned
away, falteringly crossed the room, and sank down on the brocaded
cushions of the couch.
Her lover looked up and slowly followed her out of the firelight. “Is
this to be the end of the dream, then?” he asked huskily.
She whispered “Yes” almost inaudibly, and catching at his hand carried
it to her lips. He pulled it instantly away, and the lace at his
wrist, catching on a bracelet, tore. “Don’t do that!” he exclaimed,
“if you want this to be the end. . . . My God, how _can_ it!”
She only said, with a little gasp: “Your ruffle is torn. I am
sorry . . .”
And he stood staring at her, as, white as a lily, she sat there
propped by the cushions, her hands idle and open on her lap, and
seemed scarcely to see him. Then he turned away without a word and
went slowly to the fireplace.
The girl sat looking with anguished eyes at the figure thrown up dark
against the firelight, and the bent brown head over which showed on
the marble the carved lilies of France. There was nothing dramatic in
his attitude; he seemed to be examining his torn lace . . . a long
time.
Suddenly all the Amorini grew grave, crowded together, and looked down
from their coigns in alarm. The young man had turned away from the
hearth. His face was very drawn; his eyes, that they and she had
always known so gay and kind, were steel-bright and hopeless. He came
straight across the room and dropped on his knees beside the girl.
Public-domain text, read in full here on John Shaqi.
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