The story of the medieval section of this pathetic martyrdom is written in the _Selichoth_ and in the more prosaic records known as "Memorial Books" (in German, _Memorbücher_), which are lists of martyrs and brief eulogies of their careers. For the next formal history we must pass to Abraham Zacuto. In his old age he employed some years of comparative quiet, after a stormy and unhappy life, in writing a "Book of Genealogies" (_Yuchasin_). He had been exiled from Spain in 1492, and twelve years later composed his historical work in Tunis. Like Abraham Ibn Baud's book, it opens with the Creation, and ends with the author's own day. Though Zacuto's work is more celebrated than historical, it nevertheless had an important share in reawaking the dormant interest of Jews in historical research. Thus we find Elijah Kapsali of Candia writing, in 1523, a "History of the Ottoman Empire," and Joseph Cohen, of Avignon, a "History of France and Turkey," in 1554, in which he included an account of the rebellion of Fiesco in Genoa, where the author was then residing. The sixteenth century witnessed the production of several popular Jewish histories. At that epoch the horizon of the world was extending under new geographical and intellectual discoveries. Israel, on the other hand, seemed to be sinking deeper and deeper into the slough of despond. Some of the men who had themselves been the victims of persecution saw that the only hope lay in rousing the historical consciousness of their brethren. History became the consolation of the exiles from Spain who found themselves pent up within the walls of the Ghettos, which were first built in the sixteenth century. Samuel Usque was a fugitive from the Inquisition, and his dialogues, "Consolations for the Tribulations of Israel" (written in Portuguese, in 1553), are a long drawn-out sigh of pain passing into a sigh of relief. Usque opens with a passionate idyl in which the history of Israel in the near past is told by the shepherd Icabo. To him Numeo and Zicareo offer consolation, and they pour balm into his wounded heart. The vividness of Usque's style, his historical insight, his sturdy optimism, his poetical force in interpreting suffering as the means of attaining the highest life in God, raise his book above the other works of its class and age.