Usque's poem did not win the same popularity as two other elegiac
histories of the same period. These were the "Rod of Judah" (_Shebet
Jehudah_) and the "Valley of Tears" (_Emek ha-Bachah_). The former was
the work of three generations of the Ibn Verga family. Judah died before
the expulsion from Spain, but his son Solomon participated in the final
troubles of the Spanish Jews, and was even forced to join the ranks of
the Marranos. The grandson, Joseph Ibn Verga, became Rabbi in
Adrianople, and was cultured in classical as well as Jewish lore. Their
composite work, "The Rod of Judah," was completed in 1554. It is a
well-written but badly arranged martyrology, and over all its pages
might be inscribed the Talmudical motto, that God's chastisements of
Israel are chastisements of love. The other work referred to is Joseph
Cohen's "Valley of Tears," completed in 1575. The author was born in
Avignon in 1496, four years after his father had shared in the exile
from Spain. He himself suffered expatriation, for, though a
distinguished physician and the private doctor of the Doge Andrea Doria,
he was expelled with the rest of the Jews from Genoa in 1550. Settled in
the little town of Voltaggio, he devoted himself to writing the annals
of European and Jewish history. His style is clear and forcible, and
recalls the lucid simplicity of the historical books of the Bible.
The only other histories that need be critically mentioned here are the
"Branch of David" (_Zemach David_), the "Chain of Tradition"
(_Shalsheleth ha-Kabbalah_), and the "Light of the Eyes" (_Meör
Enayim_). Abraham de Porta Leone's "Shields of the Mighty" (_Shilte
ha-Gibborim_, printed in Mantua in 1612); Leon da Modena's "Ceremonies
and Customs of the Jews," (printed in Paris in 1637); David Conforte's
"Call of the Generations" (_Kore ha-Doroth_, written in Palestine in
about 1670); Yechiel Heilprin's "Order of Generations" (_Seder
ha-Doroth_, written in Poland in 1725); and Chayim Azulai's "Name of the
Great Ones" (written in Leghorn in 1774), can receive only a bare
mention.
Public-domain text, read in full here on John Shaqi.
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