Chapters on Spanish LiteratureFitzmaurice-Kelly, James
History
Chapters on Spanish Literature
Fitzmaurice-Kelly, James
Spanish literature; Spanish literature -- History and criticism
Yet, if it were worth while, a case might be made for the Cid without
recourse to sophistry. It is enough to say that he acted as all other
leaders acted in his age and for long afterwards. He was anything but
a saint: if he had been a saint, he would never have become the idol
of a nation. It has been thought that he had some consciousness of a
providential mission, but this is perhaps a hasty generalisation based
upon Ibn-Bassam’s story of his having said that a second Roderick
might reconquer Spain. This theory ascribes to him more elevation of
character and more political foresight than we can suppose him to have
possessed. The supremacy of Castile was not an accepted political
ideal till it was on the point of establishment, and this takes us
forward, nearly a century and a half, to the reign of St. Ferdinand.
The Cid was no idealist: he lived wholly in the present. The land
of visions was never thrown open to him; he had no touch of Jeanne
d’Arc’s mystical temperament; his aims were immediate, concrete,
personal. His popularity was due, first of all, to his conspicuous and
inspiring valour; due to the fact that the last and most celebrated
of his expeditions, though undertaken primarily for his own profit,
incidentally helped the cause of national unity by wresting a
province from the Mohammedans; due to the instinctive feeling that he
represented more or less faithfully the interests of Castile as against
those of León—a feeling which found frank expression five centuries
later in the _Romancero general_:—
Soy Rodrigo de Vivar,
castellano á las derechas.
And, no doubt, the man bore a stamp of self-confident greatness which
awed his foes and fired the imagination of his countrymen. As posterity
is apt to condone the crimes by which it gains, it is not surprising
that later generations should minimise the Cid’s misdeeds, and should
end by transforming his story almost out of recognition. But these
capricious and often grotesque travesties are relatively modern.
They are not found to any excess in the work of the earliest poets who
sang the Cid’s feats-of-arms. They do not occur in the Latin poem,
already quoted, which speaks enthusiastically of his exploits as being
numerous enough to tax the resources of Homer’s genius:—
Tanti victoris nam si retexere,
Coeperim cuncta, non haec libri mille
Capere possent, Homero canente,
Summo labore.
Public-domain text, read in full here on John Shaqi.
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