moderation shown in, 103, 110, façade, 103, window openings, 103, arcades of interior court, 104; Palazzo Rucellai, 107, 108 (cut), application of classic orders, 108, 112, window openings, 109, rustication of the masonry, 109, resemblance between Palazzo Cancelleria and, 112, 114; Palazzo Strozzi, 106, cornice, 106, fortress-like character, 106; the Strozzino, 106; Palazzo Vecchio, 102. Florentine Renaissance, church architecture of the, 26–43 (cuts and plate); palace architecture, 102–111 (cuts and plate); _see_ Renaissance architecture. Foliation, the finest feature of Renaissance architectural carving, 174. Fontana, Carlo, cited on dome of Pisa, 13^1; cited on stability of Florence dome, 23^3; quoted on Michael Angelo, 55^1, 24^1; cited on safety of St. Peter’s dome, 59; _Il Tempio Vaticano e sua Origine_, etc., Discritto dal Cav. Carlo Fontana, etc., 71^2; cited on short-sighted admiration of St. Peter’s, 71; cited on binding chains, 74. France, Châteaux of, _see_ Renaissance in France. Castle Châteaudun, portal and bay in the Flamboyant Gothic style, 184 (cut). Château of Azay le Rideau, 182–187 (cuts); general description, 182–184; portal and bay of characteristic French Renaissance design in which neo-classic details are worked into a pseudo-Gothic scheme, 184–187 (cut); window openings, 186; one of the finest monuments of the early Renaissance in the country, 187; portal, 214. Château of Blois, cornice with neo-classic and mediæval elements combined, 182, (cut); court façade, 188–190 (cut); superimposed orders of pilasters of the court façade ornamented with bead mouldings, 188 (cut); polygonal staircase tower, 190 (cut); garden façade, 190; open gallery of, 191. Château of Chambord, its multiplicity of soaring features resembles a late Gothic building, 191; resemblance of Longford Castle, England, to, 221. Château of Charleval, 209–213 (cuts); exterior façade, pilasters which have no entablature to support, 210; unmeaning variation of the detail of the several bays, 210; interior façade, the division of the building into two stories not expressed on the outside, 211; court of Kirby Hall, England, resembles, 218. Château of Chenonceaux, portal where Flamboyant idea is treated in neo-classic details, 188 (cut). Château of Écouen, architectural scheme is comparatively simple, 191; in the portico of the court is reproduced the order of a Roman temple without admixture of mediæval details or Italian