Wren, Sir Christopher, _Parentalia, or Memoir of the Family of the Wrens_, 232^3 ff.; professor of astronomy at Oxford, 233; quotations from a letter written during his visit to Paris, 233; quoted on his Sheldonian theatre, Oxford, 234; ordered to submit designs for the restoration of old St. Paul’s cathedral, London, 234; his drawings of plans for the new structure, 235–238 (cuts); building of the present structure, 239–245 (cuts); his scheme to “reconcile the Gothic to a better manner,” 238, 243, 245; he learned his art on the scaffold in close contact with the works, 239; his churches other than St. Paul’s exhibit a medley of elements from spurious Gothic to pseudo-classic in irrational combinations, 245, 246; his spires are hybrid compositions of barbaric character, 246. Development and Character of Gothic Architecture By CHARLES HERBERT MOORE Second Edition, Rewritten and Enlarged. With Ten Plates in Photogravure and more than 200 Illustrations in the Text _8vo. Cloth. $4.50, net_ The new edition embodies a large amount of fresh material gathered at first hand from the monuments. A considerable number of early Gothic buildings of great importance, hitherto little known, have been examined; and much new light has thus been thrown upon the interesting subject of the early Gothic development. A new chapter on the sources of Gothic art has been inserted; the other chapters have been rewritten and much new matter incorporated. The work is thus much improved both as an exposition of the nature and character of Gothic art, and a comparative illustration of the various pointed systems of the Middle Ages. Many new illustrations in the text, and a considerable number of full-page plates, executed in the best manner of photographic reproduction, will be included. THE NATION _says of the new edition_: “The treatise has evidently been remade from beginning to end, the old material being retained only so far as it was found to meet entirely the new demands. “As to the illustrations, they also have been minutely reconsidered, and the improvement in this respect is even more striking than in the text.... “Those who have found the first edition of Mr. Moore’s work valuable will find it still more important to possess the second.” “We welcome Mr. Moore’s book with unalloyed satisfaction ... as of very great importance and value.... A book so comprehensive, so compact, so clear in statement, and so interesting in the treatment of its great subject is well suited not only to increase the general knowledge of Gothic architecture, but to become a text-book for special students.”--AMERICAN ARCHITECT AND BUILDING NEWS.