Walpole, Horace, _Anecdotes of Painting_, 226; quoted on Inigo Jones, 226, 229; quoted on faults of Jones’s façade of old St. Paul’s, London, 231, 232. Ware, Isaac, _A Complete Body of Architecture_, 248^1, 249^1; quoted on the rules of ancient architects, 248, 249. Wenz, Paul, _Die Kuppel des Domes Santa Maria del Fiore zu Florenz_, 20^1. Willis, his term “continuous impost” used, 188^1. Window openings, framed by structural members without structural meaning, 116; a peculiar form of compound, sometimes called an invention of Scamozzi, 134 (cut), 143; the same form occurs in the basilica of Shakka, 134 (cut); tapering jamb shafts, 137 (cut), 142, 149; illogical scheme of, which became characteristic of Lombard and Venetian Renaissance architecture, 148 (cut); mediæval form of those in Venetian palaces, 159 (cut), 160, 162; Lower Walterstone Hall, England, illustrates Elizabethan neo-classic ornamentation, 221 (cut); château of Azay le Rideau, France, Flamboyant Gothic and neo-classic forms combined, 186 (cut); château of Charleval, France, unmeaning variation of details, 210, 211 (cut); Palazzo Bartolini, Florence, 109 (cut); Palazzo Guardagni, Florence, 107; the Quaratesi, Florence, 106; the Riccardi, Florence, mediæval in their larger features, but with tapering jamb shafts, 103; Palazzo Rucellai, Florence, 109 (cut); Ospedale Maggiore, Milan, 165 (cut); of the Certosa of Pavia, tapering jamb shafts, 137 (cut); Palazzo Cancelleria, 112 (cut); of Palazzo Farnese, Rome, framed by structural members without structural meaning, 116 (cut); Ducal Palace, Venice, east side of court, 154; north side, pseudo-Corinthian order of, 155 (cut); Palazzo Contarini, Venice, grouping of the pilasters, 161 (cut); Palazzo Corner-Spinelli, Venice, mediæval features, incomplete circle in the tympanum space, 160; Palazzo Corneri, Venice, 124 (cut); Palazzo Vendramini, Venice, grouping of, in the bays of the façade, 162; Scuola di San Rocco, Venice, with mediæval features and with pseudo-Corinthian colonnettes, 159 (cut); Palazzo Bevilacqua, Verona, 126, 127; Palazzo Branzo, Vicenza, a peculiar form of compound window, sometimes called an invention of Scamozzi, 134.