Character Sketches of Romance, Fiction, and the Drama, Vol. 2: A Revised American Edition of the Reader's Handbook — John Shaqi
Character Sketches of Romance, Fiction, and the Drama, Vol. 2: A Revised American Edition of the Reader's HandbookBrewer, Ebenezer Cobham
General
Character Sketches of Romance, Fiction, and the Drama, Vol. 2: A Revised American Edition of the Reader's Handbook
Brewer, Ebenezer Cobham
Allusions; Fiction -- Dictionaries; Literature -- Dictionaries
=Faulkland=, the over-anxious lover of Julia [_Melville_], always
fretting and tormenting himself about her whims, spirit, health, life.
Every feature in the sky, every shift of the wind was a source of
anxiety to him. If she was gay, he fretted that she should care so
little for his absence; if she was low-spirited, he feared she was going
to die; if she danced with another, he was jealous; if she didn´t, she
was out of sorts.—Sheridan, _The Rivals_ (1775).
=Faultless Painter= (_The_), Andrea del Sarto (1488-1630).—R. Browning,
_Andrea del Sarto_.
=Fauntleroy= (_Little Lord_). The story of Cedric Errol, heir to his
grandfather, Lord Fauntleroy, by Frances Hodgson Burnett, has been
dramatized, Elsie Leslie, a child of rare promise, taking the part of
Cedric, and Kathryn Kidder that of his mother. (See ERROL).
=Faun=. Tennyson uses this sylvan deity of the classics as the symbol of
a drunkard.
Arise and fly
The reeling Faun, the sensual feast.
_In Memoriam_, cxviii
=Faust=, a famous magician of the sixteenth century, a native of Suabia.
A rich uncle having left him a fortune, Faust ran to every excess, and
when his fortune was exhausted, made a pact with the devil (who assumed
the name of Mephistoph´elês, and the appearance of a little grey monk)
that if he might indulge his propensities freely for twenty-four years,
he would at the end of that period consign to the devil both body and
soul. The compact terminated in 1550, when Faust disappeared. His
sweetheart was Margheri´ta [_Margaret_], whom he seduced, and his
faithful servant was Wagner.
Goethê has a noble tragedy entitled _Faust_ (1798); Gounod an opera
called _Faust e Margherita_ (1859) (See FAUSTUS.)
=Faustus= (_Dr._), the same as Faust; but Marlowe, in his admirable
tragedy, makes the doctor sell himself to Lucifer and Mephistophilis.
=Favor= (_Anna_). Young Anna Favor, married to Ezra Dalton, conceives
the insane idea that her baby is a changeling, and asks her husband to
rake open the coals that she may lay it upon them, and the witch shall
have her own.
“She’ll come when she hears it crying,
In the shape of an owl or bat,
And she’ll bring us our darling Anna
In place of her screeching brat.”
The delusion is removed and her senses restored in answer to the prayer
of her husband.
“Now, mount and ride, my goodman,
As thou lovest thy own soul!
Woe’s me if my wicked fancies
Be the death of Goodwife Cole!”
J.G. Whittier, _The Changeling_.
W. Bayle Bernard, of Boston, Mass., has a tragedy on the same subject.
Public-domain text, read in full here on John Shaqi.
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