Character Sketches of Romance, Fiction, and the Drama, Vol. 2: A Revised American Edition of the Reader's HandbookBrewer, Ebenezer Cobham
General
Character Sketches of Romance, Fiction, and the Drama, Vol. 2: A Revised American Edition of the Reader's Handbook
Brewer, Ebenezer Cobham
Allusions; Fiction -- Dictionaries; Literature -- Dictionaries
=Guil´denstern=, one of Hamlet’s companions, employed by the king and
queen to divert him, if possible, from his strange and wayward
ways.—Shakespeare, _Hamlet_ (1596).
Rosencrantz and Guildenstern are favorable examples of the
thorough-paced time-serving court knave ... ticketed and to be hired for
any hard or dirty work.—Cowden Clarke.
=Guillotine= (3 _syl._). So named from Joseph Ignace Guillotin, a French
physician, who proposed its adoption, to prevent unnecessary pain. Dr.
Guillotin did not invent the guillotine, but he improved the Italian
machine (1791). In 1792 Antoine Louis introduced further improvements,
and hence the instrument is sometimes called _Louisette, or Louison_.
The original Italian machine was called _mannaja_; it was a clumsy
affair, first employed to decapitate Beatrice Cenci, in Rome, A.D. 1600.
It was the popular theme for jests. It was [called _La mère
Guillotine_], the “sharp female,” the “best cure for headache.” It
“infallibly prevented the hair from turning grey.” It “imparted a
peculiar delicacy to the complexion.” It was the “national razor,” which
shaved close. Those “who kissed the guillotine, looked through the
little window and sneezed into the sack.” It was the sign of “the
regeneration of the human race.” It “superseded the cross.” Models were
worn[_as ornaments_].—C. Dickens, A _Tale of Two Cities_, iii. 4 (1859).
=Guinart= (_Roque_), whose true name was Pedro Rocha Guinarda, chief of
a band of robbers who levied black mail in the mountainous districts of
Catalonia. He is introduced by Cervantes in his tale of _Don Quixote._
=Guinea= (_Adventures of a_), a novel by Charles Johnstone (1761). A
guinea, as it passes into different hands, is the historian of the
follies and vices of its master for the time being; and thus a series of
scenes and personages is made to pass before the reader, somewhat in the
same manner as in _The Devil upon Two Sticks_ and in _The Chinese
Tales_.
=Guin´evere= (_3 syl._). So Tennyson spells the name of Arthur’s queen
in his _Idylls_. He tells us of the liaison between her and “Sir
Lancelot,” and says that Mordred, having discovered this familiarity,
“brought his creatures to the basement of the tower for testimony.” Sir
Lancelot flung the fellow to the ground, and instantly took to horse;
while Guinevere fled to the nunnery at Almesbury. Here the king took
leave of her; and when the abbess died, the queen was appointed her
successor, and remained head of the establishment for three years, when
she also died.
⁂ It will be seen that Tennyson departs from the _British History_, by
Geoffrey, and the _History of Prince Arthur_ as edited by Sir T. Malory.
(See GUENEVER.)
=Guiomar=, mother of the vain-glorious Duar´te.—Beaumont and Fletcher,
_The Custom of the Country_ (1647).
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account