Character Sketches of Romance, Fiction, and the Drama, Vol. 2: A Revised American Edition of the Reader's HandbookBrewer, Ebenezer Cobham
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Character Sketches of Romance, Fiction, and the Drama, Vol. 2: A Revised American Edition of the Reader's Handbook
Brewer, Ebenezer Cobham
Allusions; Fiction -- Dictionaries; Literature -- Dictionaries
=Fetnab= (“_a tormentor of hearts_”), the favorite of the Caliph
Haroun-al-Raschid. While the caliph was absent in his wars, Zobeidê (3
_syl._), the caliph’s wife, out of jealousy, ordered Fetnab to be buried
alive. Ganem happened accidentally to see the interment, rescued her,
and took her home to his own private lodgings in Bagdad. The caliph, on
his return, mourned for Fetnab; but receiving from her a letter of
explanation, he became jealous of Ganem, and ordered him to be put to
death. Ganem, however, contrived to escape. When the fit of jealousy was
over, the caliph heard the facts plainly stated, whereupon he released
Fetnab, and gave her in marriage to Ganem, and appointed the young man
to a very lucrative post about the court.—_Arabian Nights_, (“Ganem, the
slave of Love”).
=Fe´zon,= daughter of Savary, duke of Aquitaine. The Green Knight, who
was a pagan, demanded her in marriage, but Orson (brother of Valentine),
called “The Wild Man of the Forest,” overthrew the pagan and married
Fezon.—_Valentine and Orson_ (fifteenth century).
=Fiammetta,= a lady beloved by Boccaccio, supposed to be Maria, daughter
of Robert, king of Naples. (Italian, fiammetta, a little flame).
=Fib,= an attendant on Queen Mab.—Drayton, _Nymphidia_.
=Fiction.= _Father of Modern Prose Fiction_, Daniel Defoe (1663-1731).
=Fiddler= (_Oliver’s_). Sir Roger l’Estrange was so called, because at
one time he was playing a fiddle or viole in the house of John Hingston,
where Cromwell was one of the guests (1616-1704).
=Fiddler Joss,= Mr. Joseph Poole, a reformed drunkard, who subsequently
turned preacher in London, but retained his former sobriquet.
=Fide´le= (3 _syl._), the name assumed by Imogen, when, attired in boy’s
clothes, she started for Milford Haven to meet her husband
Posthŭmus.—Shakespeare, _Cymbeline_ (1605).
⁂ Collins has a beautiful elegy on “Fidele.”
=Fidelia,= “the foundling.” She is in reality Harriet, the daughter of
Sir Charles Raymond, but her mother dying in childbirth, she was
committed to the charge of a governante. The governante sold the child,
at the age of 12, to one Villiard, and then wrote to Sir Charles to say
that she was dead. One night, Charles Belmont, passing by, heard cries
of distress, and going to the rescue took the girl home as a companion
to his sister. He fell in love with her: the governante, on her
death-bed, told the story of her birth; and Charles married the
foundling.—Ed. Moore, _The Foundling_ (1748).
=Fide´lio,= Leono´ra, wife of Fernando Florestan. She assumed the name
of Fidelio, and dressed in male attire when her husband was a state
prisoner, that she might enter the service of Rocco the jailer, and hold
intercourse with her husband.—Beethoven, _Fidelio_ (1791).
Public-domain text, read in full here on John Shaqi.
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