Character Sketches of Romance, Fiction, and the Drama, Vol. 2: A Revised American Edition of the Reader's Handbook — John Shaqi
Character Sketches of Romance, Fiction, and the Drama, Vol. 2: A Revised American Edition of the Reader's HandbookBrewer, Ebenezer Cobham
General
Character Sketches of Romance, Fiction, and the Drama, Vol. 2: A Revised American Edition of the Reader's Handbook
Brewer, Ebenezer Cobham
Allusions; Fiction -- Dictionaries; Literature -- Dictionaries
=Fielding’s Proverbs.= These were in reality compiled by W. Henry
Ireland, the Shakespeare impostor, who published _Miscellaneous Papers
and Instruments, under the hand and seal of William Shakespeare,
including the tragedy of King Lear and a small fragment of Hamlet, from
the original_, 1796, folio, £4 4_s_. The whole was a barefaced forgery.
=Fierabras= (_Sir_) [_Fe.ā´.ra.brah_], a Saracen of Spain, who made
himself master of Rome, and carried away the crown of thorns and the
balsam with which the Lord had been embalmed. His chief exploit was to
slay the giant who guarded the bridge of Mantible, which had thirty
arches, all of black marble. Bal´and of Spain assumed the name of Sir
Fierabras.
_Balsam of Fierabras_, the balsam used in embalming the body of Christ,
stolen by Sir Fierabras. It possessed such virtues that one single drop,
taken internally, sufficed to heal the most malignant wound.
=Fierabras of Alexandria,= the greatest giant that ever walked the
earth. He possessed all Babylon, even to the Red Sea, was seigneur of
Russia, lord of Cologne, master of Jerusalem, and of the Holy Sepulchre.
This huge giant ended his days in the odor of sanctity, “meek as a lamb,
and humble as he was meek.”
=Fierce= (_The_), Alexander I. of Scotland, so called from the
impetuosity of his temper (*, 1107-1124).
=Fiesco,= the chief character of Schiller’s tragedy so called. The poet
makes Fiesco to be killed by the hand of Verri´na the republican; but
history says his death was the result of a stumble from a plank (1783).
=Fig´aro=, a barber of extraordinary cunning, dexterity, and
intrigue.—Beaumarchais, _Barbier de Séville_ (1775).
_Fig´aro_, a valet, who outwits every one by his dexterity and
cunning.—Beaumarchais, _Mariage de Figaro_ (1784).
⁂ Several operas have been founded on these two comedies: _e.g._
Mozart’s _Nozze di Figaro_ (1786); Paisiello’s _Il Barbiere di Siviglia_
(1810); Rossini’s _Il Barbiere di Siviglia_ (1816).
_Fig´aro,_ the sweetheart of Susan (favorite waiting-woman of the
Countess Almaviva). Figaro is never so happy as when he has two or three
plots in hand.—T. Holcroft, _The Follies of a Day_ (1745-1809).
=Fighting Prelate= (_The_), Henry Spencer, bishop of Norwich. He opposed
the rebels under Wat Tyler with the temporal sword, absolved them, and
then sent them to the gibbet. In 1383 he went to assist the burghers of
Ghent in their contest with the count of Flanders.
The bishop of Norwich, the famous “Fighting Prelate,” had led an army
into Flanders.—Lord Campbell.
=Filch=, a lad brought up as a pick-pocket. Mrs. Peachum says, “He hath
as fine a hand at picking a pocket as a woman, and is as nimble-fingered
as a juggler. If an unlucky session does not cut the rope of thy life, I
pronounce, boy, thou wilt be a great man in history” (act i. 1).—Gay,
_The Beggar’s Opera_ (1727).
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account