Character Sketches of Romance, Fiction and the Drama, Vol. 3: A Revised American Edition of the Reader's HandbookBrewer, Ebenezer Cobham
General
Character Sketches of Romance, Fiction and the Drama, Vol. 3: A Revised American Edition of the Reader's Handbook
Brewer, Ebenezer Cobham
Allusions; Fiction -- Dictionaries; Literature -- Dictionaries
=Mary Scudder.= Blue-eyed daughter of a “capable” New England housewife.
From childhood she has loved her cousin. Her mother objects on the
ground that James is “unregenerate,” and brings Mary to accept Dr.
Hopkins, her pastor. The doctor, upon discovering the truth, resigns his
betrothed to the younger lover.--Harriet Beecher Stowe, _The Minister’s
Wooing_ (1862).
=Mary Stuart=, an historical tragedy by J. Haynes (1840). The subject is
the death of David Rizzio.
⁂ Schiller has taken Mary Stuart for the subject of a tragedy. P. Lebrun
turned the German drama into a French play. Sir W. Scott, in _The
Abbot_, has taken for his subject the flight of Mary to England.
=Mary Tudor.= Victor Hugo has a tragedy so called (1833), and Tennyson, in
1878, issued a play entitled _Queen Mary_, an epitome of the reign of
the Tudor Mary.
=Mary and Byron.= The “Mary” of Lord Byron was Miss Chaworth. Both were
under the guardianship of Mr. White. Miss Chaworth married John Musters,
and Lord Byron married Miss Milbanke; both equally unfortunate. Lord
Byron, in _The Dream_, refers to his love-affair with Mary Chaworth.
=Mary in Heaven= (_To_) and _Highland Mary_, lyrics addressed by Robert
Burns to Mary Campbell, between whom and the poet there existed a strong
attachment previous to the latter’s departure from Ayrshire to
Nithsdale. _Mary Morison_, a youthful effusion, was written to the
object of a prior passion. The lines in the latter
Those smiles and glances let me see,
That make the miser’s treasure poor,
resembles those in _Highland Mary_--
Still o’er those scenes my mem’ry wakes,
And fondly broods with miser care.
=Mary of Mode´na=, the second wife of James II. of England, and mother of
“The Pretender.”
Mamma was to assume the character and stately way of the royal
“Mary of Modena.”--Percy Fitzgerald, _The Parvenu Family_, iii.
239.
=Mary Queen of Scots= was confined first at Carlisle; she was removed in
1568 to Bolton; in 1569 she was confined at Tutbury, Wingfield, Tutbury,
Ashby-de-la-Zouche, and Coventry; in 1570 she was removed to Tutbury,
Chatsworth, and Sheffield; in 1577 to Chatsworth; in 1578 to Sheffield;
in 1584 to Wingfield; in 1585 to Tutbury, Chartley, Tixhall, and
Chartley; in 1586 (September 25) to Fotheringay.
⁂ She is introduced by Sir W. Scott, in his novel entitled _The Abbot_.
Schiller has taken Mary Stuart for the subject of his best tragedy, and
P. Lebrun brought out in France a French version thereof (1729-1807).
_Mary queen of Scots._ The most elegant and poetical compliment ever
paid to woman was paid to Mary queen of Scots, by Shakespeare, in
_Midsummer Night’s Dream_. Remember, the _mermaid_ is “Queen Mary;” the
_dolphin_ means the “dauphin of France,” whom Mary married; the _rude
sea_ means the “Scotch rebels;” and the _stars that shot from their
spheres_ means “the princes who sprang from their allegiance to Queen
Elizabeth.”
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account