Character Sketches of Romance, Fiction and the Drama, Vol. 3: A Revised American Edition of the Reader's Handbook — John Shaqi
Character Sketches of Romance, Fiction and the Drama, Vol. 3: A Revised American Edition of the Reader's HandbookBrewer, Ebenezer Cobham
General
Character Sketches of Romance, Fiction and the Drama, Vol. 3: A Revised American Edition of the Reader's Handbook
Brewer, Ebenezer Cobham
Allusions; Fiction -- Dictionaries; Literature -- Dictionaries
=Messiah= (_The_), an epic poem in fifteen books, by F. G. Klopstock. The
first three were published in 1748, and the last in 1773. The subject is
the last days of Jesus, His crucifixion and resurrection. Bk. i. Jesus
ascends the Mount of Olives, to spend the night in prayer. Bk. ii. John
the Beloved, failing to exorcise a demoniac, Jesus goes to his
assistance; and Satan, rebuked, returns to hell, where he tells the
fallen angels his version of the birth and ministry of Christ, whose
death he resolves on. Bk. iii. Messiah sleeps for the last time on the
Mount of Olives; the tutelar angels of the twelve apostles, and a
description of the apostles are given. Satan gives Judas a dream, and
then enters the heart of Caiaphas. Bk. iv. The council in the palace of
Caiaphas decree that Jesus must die; Jesus sends Peter and John to
prepare the Passover, and eats His Last Supper with His apostles. Bk. v.
The three hours of agony in the garden. Bk. vi. Jesus, bound, is taken
before Annas, and then before Caiaphas. Peter denies his Master. Bk.
vii. Christ is brought before Pilate; Judas hangs himself; Pilate sends
Jesus to Herod, but Herod sends Him again to Pilate, who delivers Him to
the Jews. Bk. viii. Christ nailed to the cross. Bk. ix. Christ on the
cross. Bk. x. The Death of Christ. Bk. xi. The vail[TN-10] of the Temple
rent, and the resurrection of many from their graves. Bk. xii. The
burial of the body, and death of Mary, the sister of Lazarus. Bk. xiii.
The resurrection and suicide of Philo. Bk. xiv. Jesus shows Himself to
His disciples. Bk. xv. Many of those who had risen from their graves
show themselves to others. Conclusion.
_Messiah_, an oratorio by Handel (1749). The liberetto was by Charles
Jennens, nicknamed “Soliman the Magnificent.”
=Metanoi´a=, Repentance personified, by William Browne, in _Britannia’s
Pastorals_, v. (Greek, _mĕtanoia_, “repentance”.)
Faire Metanoia is attending
To croune thee with those joys that know no ending.
_Pastorals_, v. 1 (1613).
=Metasta´sio.= The real name of this Italian poet was Trapassi (_death_).
He was brought up by Gravina, who Grecized the name (1698-1782).
⁂ So “Melancthon” is the Greek form of _Schwarzerdê_ (“black earth”);
“Œcolampadius” is the Greek form of the German name _Hausschein_;
“Desiderius Erasmus” is _Gheraerd Gheraerd_ (the first “Gheraerd” is
Latinized into _Desiderius_, and the latter is Grecized into _Erasmus_).
=Meth´os=, drunkenness personified. He is twin-brother of Gluttony, their
mother being Caro (_fleshly lust_). In the battle of Mansoul, Methos is
slain by Agnei´a (_wifely chastity_) spouse of Eucra´tês (_temperance_),
and sister of Parthen´ia (_maiden chastity_). (Greek, _methê_ or
_methŭs_ is “drunkenness.”)--Phineas Fletcher, _The Purple Island_,
vii., xi. (1633).
=Met´ophis=, the corrupt chief minister of Sesostris.
Public-domain text, read in full here on John Shaqi.
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