Character Sketches of Romance, Fiction and the Drama, Vol. 3: A Revised American Edition of the Reader's HandbookBrewer, Ebenezer Cobham
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Character Sketches of Romance, Fiction and the Drama, Vol. 3: A Revised American Edition of the Reader's Handbook
Brewer, Ebenezer Cobham
Allusions; Fiction -- Dictionaries; Literature -- Dictionaries
=Marphi´sa=, sister of Roge´ro, and a female knight of amazing prowess.
She was brought up by a magician, but being stolen at the age of seven,
was sold to the king of Persia. When she was 18, her royal master
assailed her honor; but she slew him, and usurped the crown. Marphisa
went to Gaul to join the army of Agramant, but subsequently entered the
camp of Charlemagne, and was baptized.--Ariosto, _Orlando Furioso_
(1516).
=Marphu´rius=, a doctor of the Pyrrhonian school. Sganarelle consults him
about his marriage; but the philosopher replies, “Perhaps; it is
possible; it may be so; everything is doubtful;” till at last Sganarelle
beats him, and Marphurius says he shall bring an action against him for
battery. “Perhaps,” replies Sganarelle; “it is possible; it may be so,”
etc., using the very words of the philosopher (sc. ix.).--Molière, _Le
Mariage Forcé_ (1664).
=Marplot=, “the busy body.” A blundering, good-natured, meddlesome young
man, very inquisitive, too officious by half, and always bungling
whatever he interferes in. Marplot is introduced by Mrs. Centlivre in
two comedies, _The Busy Body_ and _Marplot in Lisbon_.
That unlucky dog Marplot ... is ever doing mischief, and yet (to
give him his due) he never designs it. This is some blundering
adventure, wherein he thought to show his friendship, as he calls
it.--Mrs. Centlivre, _The Busy Body_, iii. 5 (1709).
⁂ This was Henry Woodward’s great part (1717-1777). His unappeasable
curiosity, his slow comprehension, his annihilation under the sense of
his dilemmas, were so diverting, that even Garrick confessed him the
decided “Marplot” of the stage.--Boaden, _Life of Siddons_.
N. B.--William Cavendish, duke of Newcastle, brought out a free
tranlation[TN-2] of Molière’s _L’Etourdi_, which he entitled _Marplot_.
=Marquis de Basqueville=, being one night at the opera, was told by a
messenger that his mansion was on fire. “Eh bien,” he said to the
messenger, “adressez-vous à Mme. la marquise qui est en face dans cette
loge; car c’est affaire de ménage.”--Chapus, _Dieppe et ses Environs_
(1853).
=Marrall= (_Jack_), a mean-spirited, revengeful time-server. He is the
clerk and tool of Sir Giles Overreach. When Marrall thinks Wellborn
penniless, he treats him like a dog; but as soon as he fancies he is
about to marry the wealthy dowager, Lady Allworth, he is most servile,
and offers to lend him money. Marrall now plays the traitor to his
master, Sir Giles, and reveals to Wellborn the scurvy tricks by which he
has been cheated of his estates. When, however, he asks Wellborn to take
him into his service, Wellborn replies, “He who is false to one master
will betray another;” and will have nothing to say to him.--Massinger,
_A New Way to Pay Old Debts_ (1628).
Public-domain text, read in full here on John Shaqi.
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