Character Sketches of Romance, Fiction, and the Drama, Vol. 4: A Revised American Edition of the Reader's Handbook — John Shaqi
Character Sketches of Romance, Fiction, and the Drama, Vol. 4: A Revised American Edition of the Reader's HandbookBrewer, Ebenezer Cobham
General
Character Sketches of Romance, Fiction, and the Drama, Vol. 4: A Revised American Edition of the Reader's Handbook
Brewer, Ebenezer Cobham
Allusions; Fiction -- Dictionaries; Literature -- Dictionaries
=Slum= (_Mr._), a patter poet, who dressed _en militaire_. He called on
Mrs. Jarley, exhibitor of wax-works, all by accident. “What, Mr. Slum?”
cried the lady of the wax-works; “who’d have thought of seeing you
here?” “’Pon my soul and honor,” said Mr. Slum, “that’s a good remark!
’Pon my soul and honor, that’s a wise remark.... Why I came here? ’Pon
my soul and honor, I hardly know what I came here for.... What a
splendid classical thing is this, Mrs. Jarley! ’Pon my soul and honor,
it is quite Minervian!” “It’ll look well, I fancy,” observed Mrs.
Jarley. “Well!” said Mr. Slum; “It would be the delight of my life, ’pon
my soul and honor, to exercise my Muse on such a delightful theme. By
the way--any orders, madam? Is there anything I can do for you?” (ch.
xxviii.).
“Ask the perfumers,” said the military gentleman, “ask the
blacking-makers, ask the hatters, ask the old lottery office keepers,
ask any man among ’em what poetry has done for him, and mark my word,
he blesses the name of Slum.”--C. Dickens, _The Old Curiosity Shop_
(1840).
=Slumkey= (_Samuel_), “blue” candidate for the representation of the
borough of Eatanswill in parliament. His opponent is Horatio Fizkin, who
represents the “buff” interest.--C. Dickens, _The Pickwick Papers_
(1836).
=Sly= (_Christopher_), a keeper of bears, and a tinker. In the induction
of Shakespeare’s comedy called _Taming of the Shrew_, Christopher is
found dead drunk by a nobleman, who commands his servant to take him to
his mansion and attend on him as a lord. The trick is played, and the
“commonty” of _Taming of the Shrew_ is performed for the delectation of
the ephemeral lord.
A similar trick was played by Haroun-al-Raschid on a rich merchant,
named Abou Hassan (see _Arabian Nights_, “The Sleeper Awakened”). Also
by Philippe _le Bon_ of Burgundy, on his marriage with Eleanora (see
Burton, _Anatomy of Melancholy_, ii. 2, 4; 1624).
=Slyne= (_Chevy_), one of old Martin Chuzzlewit’s numerous relations. He
is a drunken, good-for-nothing vagabond, but his friend, Montague Tigg,
considers him “an unappreciated genius.” His chief peculiarity consists
in his always being “round the corner.”--C. Dickens, _Martin Chuzzlewit_
(1844).
=Small= (_Gilbert_), the pinmaker, a hard-working old man, who loves his
son most dearly.
_Thomas Small_, the son of Gilbert, a would-be man of fashion and
maccaroni. Very conceited of his fine person, he thinks himself the very
glass of fashion. Thomas Small resolves to make a fortune by marriage,
and allies himself to Kate, who turns out to be the daughter of Strap,
the cobbler.--S. Knowles, _The Beggar of Bethnal Green_ (1834).
=Small Beer Poet= (_The_). W. Thomas Fitzgerald. He is now known only
for one line, quoted in the _Rejected Addresses_: “The tree of freedom
is the British oak.”--Cobbett gave him the sobriquet (1759-1829).
Public-domain text, read in full here on John Shaqi.
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