Characteristics of Women: Moral, Poetical, and HistoricalJameson, Mrs. (Anna)
History
Characteristics of Women: Moral, Poetical, and Historical
Jameson, Mrs. (Anna)
Shakespeare, William, 1564-1616 -- Characters -- Women; Women and literature -- England -- History -- 16th century
As to whether the mind of Hamlet be, or be not, touched with
madness--this is another point at issue among critics, philosophers, ay,
and physicians. To me it seems that he is not so far disordered as to
cease to be a responsible human being--that were too pitiable: but
rather that his mind is shaken from its equilibrium, and bewildered by
the horrors of his situation--horrors which his fine and subtle
intellect, his strong imagination, and his tendency to melancholy, at
once exaggerate, and take from him the power either to endure, or "by
opposing, end them." We do not see him as a lover, nor as Ophelia first
beheld him; for the days when he importuned her with love were before
the opening of the drama--before his father's spirit revisited the
earth; but we behold him at once in a sea of troubles, of perplexities,
of agonies, of terrors. Without remorse, he endures all its horrors;
without guilt, he endures all its shame. A loathing of the crime he is
called on to revenge, which revenge is again abhorrent to his nature,
has set him at strife with himself; the supernatural visitation has
perturbed his soul to its inmost depths; all things else, all interests,
all hopes, all affections, appear as futile, when the majestic shadow
comes lamenting from its place of torment "to shake him with thoughts
beyond the reaches of his soul!" His love for Ophelia is then ranked by
himself among those trivial, fond records which he has deeply sworn to
erase from his heart and brain. He has no thought to link his terrible
destiny with hers: he cannot marry her: he cannot reveal to her, young,
gentle, innocent as she is, the terrific influences which have changed
the whole current of his life and purposes. In his distraction he
overacts the painful part to which he had tasked himself; he is like
that judge of the Areopagus, who being occupied with graver matters,
flung from him the little bird which had sought refuge in his bosom, and
with such angry violence, that unwittingly he killed it.
In the scene with Hamlet,[42] in which he madly outrages her and
upbraids himself, Ophelia says very little: there are two short
sentences in which she replies to his wild, abrupt discourse:--
HAMLET.
I did love you once.
OPHELIA.
Indeed, my lord, you made me believe so.
HAMLET.
You should not have believed me: for virtue cannot so
inocculate our old stock, but we shall relish of it. I loved
you not.
OPHELIA.
I was the more deceived.
Those who ever heard Mrs. Siddons read the play of Hamlet, cannot forget
the world of meaning, of love, of sorrow, of despair, conveyed in these
two simple phrases. Here, and in the soliloquy afterwards, where she
says,--
And I of ladies most deject and wretched,
That sucked the honey of his music vows,
Public-domain text, read in full here on John Shaqi.
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