Characteristics of Women: Moral, Poetical, and HistoricalJameson, Mrs. (Anna)
History
Characteristics of Women: Moral, Poetical, and Historical
Jameson, Mrs. (Anna)
Shakespeare, William, 1564-1616 -- Characters -- Women; Women and literature -- England -- History -- 16th century
are the only allusions to herself and her own feelings in the course of
the play; and these, uttered almost without consciousness on her own
part, contain the revelation of a life of love, and disclose the secret
burthen of a heart bursting with its own unuttered grief. She believes
Hamlet crazed; she is repulsed, she is forsaken, she is outraged, where
she had bestowed her young heart, with all its hopes and wishes; her
father is slain by the hand of her lover, as it is supposed, in a
paroxysm of insanity: she is entangled inextricably in a web of horrors
which she cannot even comprehend, and the result seems inevitable.
Of her subsequent madness, what can be said? What an affecting--what an
astonishing picture of a mind utterly, hopelessly wrecked!--past
hope--past cure! There is the frenzy of excited passion--there is the
madness caused by intense and continued thought--there is the delirium
of fevered nerves; but Ophelia's madness is distinct from these: it is
not the suspension, but the utter destruction of the reasoning powers;
it is the total imbecility which, as medical people well know,
frequently follows some terrible shock to the spirits. Constance is
frantic; Lear is mad; Ophelia is _insane_. Her sweet mind lies in
fragments before us--a pitiful spectacle! Her wild, rambling fancies;
her aimless, broken speeches; her quick transitions from gayety to
sadness--each equally purposeless and causeless; her snatches of old
ballads, such as perhaps her nurse sung her to sleep with in her
infancy--are all so true to the life, that we forget to wonder, and can
only weep. It belonged to Shakspeare alone so to temper such a picture
that we can endure to dwell upon it:--
Thought and affliction, passion, hell itself,
She turns to favor and to prettiness.
That in her madness she should exchange her bashful silence for empty
babbling, her sweet maidenly demeanor for the impatient restlessness
that spurns at straws, and say and sing precisely what she never would
or could have uttered had she been in possession of her reason, is so
far from being an impropriety, that it is an additional stroke of
nature. It is one of the symptoms of this species of insanity, as we are
assured by physicians. I have myself known one instance in the case of a
young Quaker girl, whose character resembled that of Ophelia, and whose
malady arose from a similar cause.
Public-domain text, read in full here on John Shaqi.
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