Characteristics of Women: Moral, Poetical, and HistoricalJameson, Mrs. (Anna)
History
Characteristics of Women: Moral, Poetical, and Historical
Jameson, Mrs. (Anna)
Shakespeare, William, 1564-1616 -- Characters -- Women; Women and literature -- England -- History -- 16th century
It is singular, that hitherto no critical justice has been done to the
character of Portia; it is yet more wonderful, that one of the finest
writers on the eternal subject of Shakspeare and his perfections, should
accuse Portia of pedantry and affectation, and confess she is not a
great favorite of his--a confession quite worthy of him, who avers his
predilection for servant-maids, and his preference of the Fannys and the
Pamelas over the Clementinas and Clarissas.[7] Schlegel, who has given
several pages to a rapturous eulogy on the Merchant of Venice, simply
designates Portia as a "rich, beautiful, clever heiress:"--whether the
fault lie in the writer or translator, I do protest against the word
clever.[8] Portia _clever!_ what an epithet to apply to this heavenly
compound of talent, feeling, wisdom, beauty, and gentleness! Now would
it not be well, if this common and comprehensive word were more
accurately defined, or at least more accurately used? It signifies
properly, not so much the possession of high powers, as dexterity in the
adaptation of certain faculties (not necessarily of a high order) to a
certain end or aim--not always the worthiest. It implies something
common-place, inasmuch as it speaks the presence of the _active_ and
_perceptive_, with a deficiency of the _feeling_ and _reflective_
powers; and applied to a woman, does it not almost invariably suggest
the idea of something we should distrust or shrink from, if not allied
to a higher nature? The profligate French women, who ruled the councils
of Europe in the middle of the last century, were clever women; and that
_philosopheress_ Madame du Chatelet, who managed, at one and the same
moment, the thread of an intrigue, her cards at piquet, and a
calculation in algebra, was a very clever woman! If Portia had been
created as a mere instrument to bring about a dramatic catastrophe--if
she had merely detected the flaw in Antonio's bond, and used it as a
means to baffle the Jew, she might have been pronounced a clever woman.
But what Portia does, is forgotten in what she _is_. The rare and
harmonious blending of energy, reflection, and feeling, in her fine
character, make the epithet _clever_ sound like a discord as applied to
_her_, and place her infinitely beyond the slight praise of Richardson
and Schlegel, neither of whom appear to have fully comprehended her.
Public-domain text, read in full here on John Shaqi.
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