Characteristics of Women: Moral, Poetical, and HistoricalJameson, Mrs. (Anna)
History
Characteristics of Women: Moral, Poetical, and Historical
Jameson, Mrs. (Anna)
Shakespeare, William, 1564-1616 -- Characters -- Women; Women and literature -- England -- History -- 16th century
Confess and love
Had been the very sum of my confession!
O happy torment, when my torturer
Doth teach me answers for deliverance!
A prominent feature in Portia's character is that confiding, buoyant
spirit, which mingles with all her thoughts and affections. And here let
me observe, that I never yet met in real life, nor ever read in tale or
history, of any woman, distinguished for intellect of the highest
order, who was not also remarkable for this trusting spirit, this
hopefulness and cheerfulness of temper, which is compatible with the
most serious habits of thought, and the most profound sensibility. Lady
Wortley Montagu was one instance; and Madame de Stael furnishes another
much more memorable. In her Corinne, whom she drew from herself, this
natural brightness of temper is a prominent part of the character. A
disposition to doubt, to suspect, and to despond, in the young, argues,
in general, some inherent weakness, moral or physical, or some miserable
and radical error of education; in the old, it is one of the first
symptoms of age; it speaks of the influence of sorrow and experience,
and foreshows the decay of the stronger and more generous powers of the
soul. Portia's strength of intellect takes a natural tinge from the
flush and bloom of her young and prosperous existence, and from her
fervent imagination. In the casket-scene, she fears indeed the issue of
the trial; on which more than her life is hazarded but while she
trembles, her hope is stronger than her fear. While Bassanio is
contemplating the caskets, she suffers herself to dwell for one moment
on the possibility of disappointment and misery.
Let music sound while he doth make his choice;
Then if he lose, he makes a swan-like end,
Fading in music: that the comparison
May stand more proper, my eye shall be the stream
And watery death-bed for him.
Then, immediately follows that revulsion of feeling, so beautifully
characteristic of the hopeful, trusting, mounting spirit of this noble
creature.
But he may win!
And what is music then?--then music is
Even as the flourish, when true subjects bow
To a new-crowned monarch: such it is
As are those dulcet sounds at break of day,
That creep into the dreaming bridegroom's ear,
And summon him to marriage. Now he goes
With no less presence, but with much more love
Than young Alcides, when he did redeem
The virgin tribute paid by howling Troy
To the sea monster. I stand here for sacrifice.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account