Characteristics of Women: Moral, Poetical, and HistoricalJameson, Mrs. (Anna)
History
Characteristics of Women: Moral, Poetical, and Historical
Jameson, Mrs. (Anna)
Shakespeare, William, 1564-1616 -- Characters -- Women; Women and literature -- England -- History -- 16th century
Good father, I beseech you on my knees,
Hear me with patience but to speak one word!
* * * *
Ah, sweet my mother, cast me not away!
Delay this marriage for a month,--a week!
And, rejected by both, she throws herself upon her nurse in all the
helplessness of anguish, of confiding affection, of habitual
dependence--
O God! O nurse! how shall this be prevented?
Some comfort, nurse!
The old woman, true to her vocation, and fearful lest her share in these
events should be discovered, counsels her to forget Romeo and marry
Paris; and the moment which unveils to Juliet the weakness and baseness
of her confidante, is the moment which reveals her to herself. She does
not break into upbraidings; it is no moment for anger; it is incredulous
amazement, succeeded by the extremity of scorn and abhorrence, which
take possession of her mind. She assumes at once and asserts all her own
superiority, and rises to majesty in the strength of her despair.
JULIET.
Speakest thou from thy heart?
NURSE.
Aye, and from my soul too;--or else
Beshrew them both!
JULIET.
Amen!
This final severing of all the old familiar ties of her childhood--
Go, counsellor!
Thou and my bosom henceforth shall be twain!
and the calm, concentrated force of her resolve,
If all else fail,--myself have power to die;
have a sublime pathos. It appears to me also an admirable touch of
nature, considering the master-passion which, at this moment, rules in
Juliet's soul, that she is as much shocked by the nurse's dispraise of
her lover, as by her wicked, time-serving advice.
This scene is the crisis in the character; and henceforth we see Juliet
assume a new aspect. The fond, impatient, timid girl, puts on the wife
and the woman: she has learned heroism from suffering, and subtlety from
oppression. It is idle to criticize her dissembling submission to her
father and mother; a higher duty has taken place of that which she owed
to them; a more sacred tie has severed all others. Her parents are
pictured as they are, that no feeling for them may interfere in the
slightest degree with our sympathy for the lovers. In the mind of Juliet
there is no struggle between her filial and her conjugal duties, and
there ought to be none. The Friar, her spiritual director, dismisses her
with these instructions:--
Go home,--be merry,--give consent
To marry Paris;
Public-domain text, read in full here on John Shaqi.
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