Charles Auchester, Volume 1 (of 2)Sheppard, Elizabeth Sara
General
Charles Auchester, Volume 1 (of 2)
Sheppard, Elizabeth Sara
Musical fiction
"I do not mean," thought I diffidently, "to talk to the old gentleman.
If he is a Jew I shall know it, and it will be enough;" but I did not
say so to Santonio, who did not appear to prize his lineage as I did
the half of mine. My heart began to beat faster than from the steep
ascent, when he, without preparing me further, rapped very vigorously
upon another unseen door. I heard no voice reply, but I concluded he
did, as he deliberately turned the lock, and drew me immediately after
him as I had shrunk behind him. I need not have been afraid,--the room
was empty. It was a room full of dusky light; that is, all tones which
blended into it were dim, and its quaint nicety put every new-world
notion out of the way for the time. The candles upon the table were
brightly trimmed, but not wax,--only slender wax ones beamed in
twisted sconces from the desk of an organ that took up the whole side
of the room, opposing us as we entered, and whose pipes were to my
imagining childhood lost in the clouds, indeed, for the roof of the
room had been broken to admit them. The double key-board, open,
glittered black and white, and I was only too glad to be able to
examine it as closely as I wished. The room had no carpet, but I did
not miss it or want it, for the floor was satin bright with polish,
and its general effect was ebony, while that of the furniture was oak.
There was a curious large closet in a corner, like another little room
put away into this one; but what surprised me most was that the
chamber was left to itself.
"Where is he?" said Santonio, appealing to the silence; but then he
seemed to be reminded, and shouted very loud in German some name I
could not realize, but which I write, having since realized.
"Aronach![13] where art thou?"
In German, and very loud, a voice replied, as coming down the
organ-pipes: "I am aloft chastising an evil spirit; nor will I descend
until I have packed the devil downstairs." At this instant, more at
hand than the sound I had met upon the staircase, there was a wail as
of a violin in pain; but I could not tell whether it was a fiddle or a
child, until the wail, in continuing, shifted from semitone to
semitone.
Santonio sat down in one of the chairs and laughed; then arose, having
recovered himself, and observed, "If this is his behavior, I may as
well go and see after your boxes. Keep yourself here till I come back;
but if he come down, salute him in German, and it will be all right."
Public-domain text, read in full here on John Shaqi.
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