Charles Auchester, Volume 1 (of 2)Sheppard, Elizabeth Sara
General
Charles Auchester, Volume 1 (of 2)
Sheppard, Elizabeth Sara
Musical fiction
He retired and I remained; and now I resolved to have another good
look. One side of the room I had not yet examined. Next the door I
found a trio or quartet of three-legged stools, fixed one into the
other, and nearest them a harpsichord,--a very harpsichord with
crooked legs. It was covered with baize, and a pile of music-books
reposed upon the baize, besides some antique instrument-cases. Other
and larger cases were on the floor beneath the harpsichord; there
hung a talisman or two of glittering brass upon the wall, by floating
ribbons of red.
Then I fastened myself upon the pictures, and those strange wreaths of
withered leaves that waved between them, and whose searest hues
befitted well their vicinage. As I stood beneath those pictures, those
dead-brown garlands rustled as if my light breath had been the autumn
wind. I was stricken at once with melancholy and romance, but I
understood not clearly the precise charm of those relics, or my
melancholy would have lost itself in romance alone.
There was one portrait of Bach. I knew it again, though it was a
worthier hint of him than Davy's; and underneath that portrait was
something of the same kind, which vividly fascinated me by its
subject. It was a very young head, almost that of an infant, lying,
rather than bending, over an oblong book, such in shape as those
represented in pictures of literary cherubs. The face was more than
half forehead, which the clustering locks could not conceal, though
they strove to shadow; and in revenge, the hair swept back and tumbled
sideways, curling into the very swell of the tender shoulder. The
countenance was of sun-bright witchery, lustrous as an elf of summer
laughing out of a full-blown rose. Tiny hands were doubled round the
book, and the lips wore themselves a smile that seemed to stir and
dimple, and to flutter those floating ringlets. It was strange I was,
though so unutterably drawn to it, in nothing reminded of any child or
man I had ever seen, but merely thought it an ideal of the infant
music, if music could personate infancy. After a long, long gaze I
looked away, expressly to have the delight of returning to it; and
then I saw the stove and approved of it, instead of missing, as I was
told at home I should miss, the hearthrug and roseate fire-shine.
Indeed, the stove was much more in keeping here, according to my
outlandish taste.
Public-domain text, read in full here on John Shaqi.
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