Charles Auchester, Volume 1 (of 2)Sheppard, Elizabeth Sara
General
Charles Auchester, Volume 1 (of 2)
Sheppard, Elizabeth Sara
Musical fiction
As he said these words, his tones, so clear and reverent, became
mystical and inward. I was absolved from communion with that soul. His
eye, travelling onwards, was already with the lime-trees at the summit
of the hill we had nearly reached, and he appeared to have forgotten
me. I felt how frail, how dissoluble, were the fiery links that bound
my feeble spirit to that strong immortal. But how little I knew it
yet!
CHAPTER XXVIII.
The school of Cecilia was not only at the summit of the hill, it was
the only building on the summit; it was isolated, and in its isolation
grand. There were cottages in orchards, vine-gardens, fertile lands,
an ancient church, sprinkled upon the sides, or nestling in the
slopes; but itself looked lonely and consecrated, as in verity it
might be named. A belt of glorious trees, dark and dense as a Druid
grove, surrounded with an older growth the modern superstructure; but
its basis had been a feudal ruin, whose entrance still remained; a
hall, a wide waste of room, of rugged symmetry and almost twilight
atmosphere. A court-yard in front was paved with stone, and here were
carriages and unharnessed horses feeding happily. The doorway of the
hall was free; we entered together, and my companion left me one
moment while he made some arrangements with the porter, who was quite
alone in his corner. Otherwise silence reigned, and also it seemed
with solitude; for no one peered among the strong square pillars that
upheld as rude a gallery,--the approach to which was by a sweeping
staircase of the brightest oak with noble balustrades. Two figures in
bronze looked down from the landing-place on either hand, and as we
passed between them I felt their size, if not their beauty, overawe me
as the shadow of the entrance. They were, strange to say, not
counterparts, though companion forms of the same head, the same face,
the same dun laurel crown; but the one gathered its drapery to its
breast, and stretched its hand beckoningly towards the portal,--the
other with outstretched arm pointed with an expression almost
amounting to menace down the gallery. In niched archways there, one
door after another met the eye, massive and polished, but all closed.
I implicitly trusted in my companion. I felt sure he possessed a charm
to open all those doors, and I followed him as he still lightly, as if
upon grass, stepped from entrance to entrance, not pausing until he
reached the bend of the gallery. Here was a door unlike the
others,--wider, slighter, of cloth and glass; and stealing from within
those media, with a murmur soft as incense, came a mist of choral
sounds, confusing me and captivating me at once, so that I did not
care to stir until the mist dissolved and ceased, and I was yet by my
companion's side without the door.
"We may enter now, I think," he said; for he had waited reverently as
I, and he gently pushed those folds.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account