Charles Auchester, Volume 1 (of 2)Sheppard, Elizabeth Sara
General
Charles Auchester, Volume 1 (of 2)
Sheppard, Elizabeth Sara
Musical fiction
They slid back, and we entered a narrow lobby, very dim and
disenchanted looking. Still softly we proceeded to another door
within, which I had not discovered, and he touched that too with an
air of subtile and still authority. I was dazzled the first instant;
but he took my hand directly, and drew me forwards with him to a seat
in some region of enchantment. As I sat by him there I soon recovered
myself to the utmost, and beheld before me a sight which I shall not
easily forget, nor ever cease to hold as it was presented to me on
that occasion.
It was a vast and vaulted room; whether of delicate or decided
architecture I could not possibly declare, such a dream it was of
wreaths and mystic floral arches. Pillars twined with gold-bloomed
lime-branches rose burdened with them to the roof, there mixing into
the long festoons of oak-leaf that hung as if they grew there from the
gray-brown rafters. Everywhere was a drooping odor that had been
oppressive, most unendurably sweet, but for the strong air wafted and
ruffling through the open windows on either hand.
We were sitting quite behind all others, on the loftiest tier of
seats, that were raised step by step so gently upwards to the back,
and beneath us were seats all full, where none turned nor seemed to
talk; for all eyes were surely allured and riveted by the scenery to
the fronting end. It was a lofty, arched recess, spanning the extreme
width of the hall; a window, half a dome, of glass poured down a
condensed light upon two galleries within, which leaned into the form
of the arch itself, and were so thickly interlaced with green that
nothing else was visible except the figures which filled them,
draperied in white, side by side in shining rows,--like angels, so I
thought. Young men and boys above, in flowing robes as choristers,
overhung the maiden forms of the gallery below; and of these last,
every one wore roses on the breast, as well as glistening raiment.
These galleries of greenery were themselves overhanging a platform
covered with dark-green cloth, exquisitely fluted at the sides, and
drawn in front over three or four steps that raised it from the
flooring of the hall. A band in two divisions graced the ground floor.
I caught the sight immediately; but upon the platform itself stood a
pianoforte alone, a table covered with dark-green velvet, and about a
dozen dark-green velvet chairs. These last were all filled except one,
and its late occupant had pushed that one chair back while he stood at
the top of the table, with something glittering in his hand, and
other somethings glittering before him upon the dark-green surface. As
we entered, indeed, he was so standing, and I took in all I have
related with one glance, it was, though green, so definite.
"Look well at that gentleman who stands," whispered my guide, most
slowly; "it is he who is dispensing the prizes. He is Monsieur
Milans-André, whom you wished to see."
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account