I do not pretend to remember all the conversations verbatim which I have heard during my life, or in which I have taken a part; still, there are many which I do remember word by word, and every word. My conversation that morning with Millicent I do not remember,--its results blotted it out forever; still, I am conscious it was an exposition of energy and enthusiasm, for hers kindled as she replied to my ardent inquiries, and, unknowingly, she inflamed my own. She gave me a tale of the orchestra, its fulness and its potency; of the five hundred voices, of the conductor, and of the assembly; she assured me that nothing could be at all like it, that we had no idea of its resources or its effects. She was melancholy, evidently, at first, but quite lost in her picturesque and passionate delineation, I all the while wondering how she could endure to exist and not be going. I felt in myself that it was not only a sorrow, but a shame, to live in the very place and not press into the courts of music. I adored music even then,--ay! not less than now, when I write with the strong heart and brain of manhood. I thought how easily Millicent might do without a new hat, a new cloak, or live on bread and water for a year. But I was man enough even then, I am thankful to say, to recall almost on the instant that Millicent was a woman, a very delicate girl, too, and that it would never do for her to be crushed among hundreds of moving men and women, nor for Fred to undertake the charge of more than one--he had bought a ticket for his wife. Then I returned to myself.