Charles Auchester, Volume 1 (of 2)Sheppard, Elizabeth Sara
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Charles Auchester, Volume 1 (of 2)
Sheppard, Elizabeth Sara
Musical fiction
I scampered the whole way to the hall. It was a chilly day, but the
sun had acquired some power, and it was all summer in my veins. I
believe I had never been in such a state of ecstasy. I was quite
lightheaded, and madly expected to possess myself of a ticket
immediately, and dance home in triumph. The hall! how well I remember
it, looking very still, very cold, very blank; the windows all
shuttered, the doors all closed. But never mind; the walls were
glorious! They glittered with yellow placards, the black letters
about a yard long announcing the day, the hour, the force,--the
six-foot long list of wonders and worthies. I was something
disappointed not to find the ticket-office a Spanish castle suddenly
sprung from the stonework of the hall itself, but it was some comfort
that it was in St. Giles' Street, which was not far.
I scampered off again,--I tumbled down, having lost my breath, but I
sprang again to my feet; I saw a perfect encampment of placards, and I
rushed towards it. How like it was to a modern railway terminus, that
ticket-office!--in more senses than one, too. The door was not closed
here, but wide open to the street: within were green-baize doors
besides, but the outer entrance was crowded, and those were shut,--not
for a minute together, though, for I could not complain of quiet here.
Constantly some one hurrying past nearly upset me, bustling out or
pushing in. They were all men, it is true; but was I a girl? Besides,
I had seen a boy or two who had surveyed me impertinently, and whom I
took leave to stare down. A little while I stood in the entry,
bewildered, to collect my thoughts,--not my courage,--and then,
endeavoring to be all calmness and self-possession, I staggered in. I
then saw two enclosed niches, counter-like: the one had a huge
opening, and was crammed with people on this side; the other was
smaller, an air of eclecticism pervaded it; and behind each stood a
man. There was a staircase in front, and painted on the wall to its
left I read: "Committee-room upstairs; Balloted places,"--but then I
returned to my counters, and discovered, by reading also, that I must
present myself at the larger for unreserved central seats. It was
occupied so densely in front just now that it was hopeless to dream of
an approach or appeal; I could never scale that human wall. I
retreated again to the neighborhood of the smaller compartment, and
was fascinated to watch the swarming faces. Now a stream poured down
the staircase, all gentlemen, and most of them passed out, nodding and
laughing among themselves. Not all passed out. One or two strolled to
the inner doors and peeped through their glass halves, while others
gossiped in the entry. But one man came, and as I watched him, planted
himself against the counter I leaned upon,--the mart of the reserved
tickets. He did not buy any though, and I wondered why he did not, he
looked so easy, so at home there. Not that I saw his face, which was
Public-domain text, read in full here on John Shaqi.
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