Charles Auchester, Volume 1 (of 2)Sheppard, Elizabeth Sara
General
Charles Auchester, Volume 1 (of 2)
Sheppard, Elizabeth Sara
Musical fiction
I must not loiter here; it would have been difficult to loiter in
going about the garden, it was so unusually small, and the house, if
possible, was more diminutive. It had above the door two tiny casement
windows, only two; and as my guide opened the little door with a key
he brought out of his pocket, there was nothing to delay our entrance.
The passage was very narrow, but lightsome, for a door was open at
the end, peeping into a lawny kind of yard. No children were tumbling
about, nor was there any kitchen smell, but the rarest of all
essences, a just perceptible cleanliness,--not moisture, but
freshness.
We advanced to a staircase about three feet in width, uncarpeted, but
of a rich brown color, like chestnut skins; so also were the
balusters. About a dozen steps brought us to a proportionate
landing-place, and here I beheld two other little brown doors at
angles with one another. Lenhart Davy opened one of these, and led me
into a tiny room. Oh, what a tiny room! It was so tiny, so rare, so
curiously perfect that I could not help looking into it as I should
have done into a cabinet collection. The casements were uncurtained,
but a green silk shade, gathered at the top and bottom, was drawn
half-way along each. The walls were entirely books,--in fact, the
first thing I thought of was the book-houses I used to build of all
the odd volumes in our parlor closet during my quite incipient years.
But such books as adorned the sides of the little sanctum were more
suitable for walls than mine, in respect of size, being as they were,
or as far as I could see, all music-books, except in a stand between
the casements, where a few others rested one against another. There
was a soft gray drugget upon the floor; and though, of course, the
book-walls took up as much as half the room (a complete inner coat
they made for the outside shell), yet it did not strike me as poking,
because there was no heavy furniture, only a table, rather oval than
round, and four chairs; both chairs and table of the hue I had admired
upon the staircase,--a rich vegetable brown. On the table stood a
square inkstand of the same wood, and a little tray filled with such
odds as rubber, a penknife, sealing-wax, and a pencil. The wood of the
mantelshelf was the same tone, and so was that of a plain piano that
stood to the left of the fireplace, in the only nook that was not
books from floor to ceiling; but the books began again over the piano.
All this wood, so darkly striking the eye, had an indescribably
soothing effect (upon me I mean), and right glad was I to see Mr. Davy
seat himself upon a little brown bench before the piano and open it
carefully.
"Will you take off your hat for a minute or two, my dear boy?" he
asked, before he did anything else.
I laid the beaver upon the oval table.
"Now, tell me, can you sing at all?"
"Yes sir."
"From notes, or by ear?"
"A great deal by ear, but pretty well by notes."
"_From_ notes," he said, correctingly, and I laughed.
Public-domain text, read in full here on John Shaqi.
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