Charles Auchester, Volume 1 (of 2)Sheppard, Elizabeth Sara
General
Charles Auchester, Volume 1 (of 2)
Sheppard, Elizabeth Sara
Musical fiction
Frugal as he was, he never for an instant lost his cheery smile and
companionable manner, and I observed he watched me very closely. As
soon as I had gathered up and put away my last crumb, I slipped out of
my chair, and pretended to pull him from his seat.
"Ah! you are right, we have much to do."
He went out again, and returned laden with a wooden tray, on which he
piled all the things and carried them downstairs. Returning, he
laughed and said,--
"I must be a little put out to-night, as I have a visitor, so I shall
not clear up until I have taken you home."
"My mother is going to send for me, sir; but I wish I might help you
now."
"I shall not need help,--I want it at least in another way. Will you
now come here?"
We removed to the piano. He took down from the shelves that
overshadowed it three or four volumes in succession. At length,
selecting one, he laid it upon the desk and opened it. I gazed in
admiration. It was a splendid edition, in score, of Pergolesi's
"Stabat Mater." He gathered from within its pages a separate
sheet--the alto part, beautifully copied--and handed it to me, saying,
"I know you will take care of it." So I did. We worked very hard, but
I think I never enjoyed any exercise so much. He premised, with a
cunning smile, that he should not let me run on at that rate if I had
not to be brushed up all in a hurry; but then, though I was ignorant,
I was apt and very ardent. I sang with an entire attention to his
hints; and though I felt I was hurrying on too fast for my
"understanding" to keep pace with my "spirit," yet I did get on very
rapidly in the mere accession to acquaintance with the part. We
literally rushed through the "Stabat Mater," which was for the first
part of the first grand morning, and then, for the other, we began the
"Dettingen Te Deum." I thought this very easy after the "Stabat
Mater," but Davy silenced me by suggesting, "You do not know the
difficulty until you are placed in the choir." Our evening's practice
lasted about two hours and a half. He stroked my hair gently then, and
said he feared he had fatigued me. I answered by thanking him with all
my might, and begging to go on. He shook his head.
"I am afraid we have done too much now. This day week the
'Creation,'--that is for the second morning; and then, Charles, then
the 'Messiah,'--last and best."
"Oh, the 'Messiah'! I know some of the songs,--at least, I have heard
them. And are we to hear that? and am I to sing in 'Hallelujah'?" I
had known of it from my cradle; and loving it _before_ I heard it, how
did I feel for it when it was to be brought so near me? I think that
this oratorio is the most beloved of any by children and child-like
souls. How strangely in it all spirits take a part!
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account