From beginning to end of the allegro not a disturbing sound arose throughout the hall; but on the closing chord of the overture there burst one deep toll of wonderful applause. I can only call it a "toll;" it was simultaneous. The conductor looked over his shoulder, and slightly shook his head. It was enough, and silence reigned as the heavenly sympathy of the recitative trembled from the strings surcharged with fire. Here it was as if he whispered "Hush!" for the sobbing staccato of the accompaniment I never heard so low,--it was silvery, almost awful. The bâton stirred languidly, as the stem of a wind-swept lily, in those pointed fingers. Nor would he suffer any violence to be done to the solemn brightness of the aria. It was not until we all arose that he raised his arm, and impetuously, almost imperiously, fixed upon us his eyes. He glanced not _a moment_ at the score, he never turned a leaf, but he urged the time majestically, and his rapturous beauty brightened as the voices firmly, safely, swelled over the sustaining chords, launched in glory upon those waves of sound. I almost forgot the festival. I am not certain that I remember who I was, or where I was, but I seemed to be singing at every pore. I seemed pouring out my life instead of my voice; but the feeling I had of being irresistibly borne along was so transporting that I can conceive of nothing else like it, until after death. CHAPTER IX. The chorus, I learned afterwards, was never recalled, so proudly true, so perfect, so flexible; but it was not only not difficult to keep in, it was impossible to get out. So every one said among my choral contemporaries afterwards. I might recall how the arias told, invested with that same charm of subdued and softened fulness; I might name each chorus, bent to such strength by a might scarcely mortal: but I dare not anticipate my after acquaintance with a musician who, himself supreme, has alone known how to interpret the works of others. I will merely advert to the extraordinary calm that pervaded the audience during the first part. Tremendous in revenge, perfectly tremendous, was the uproar between the parts, for there was a pause and clearance for a quarter of an hour. I could not have moved for some moments if I had wished it; as it was, I was nearly pressed to death. Everybody was talking; a clamor filled the air. I saw Lenhart Davy afar off, but he could not get to me. He looked quite white, and his eyes sparkled. As for me, I could not help thinking the world was coming to an end, so thirsty I felt, so dry, so shaken from head to foot. I could scarcely feel the ground, and I could not lift my knees, they were so stiff.