Charles Auchester, Volume 1 (of 2)Sheppard, Elizabeth Sara
General
Charles Auchester, Volume 1 (of 2)
Sheppard, Elizabeth Sara
Musical fiction
All this lends the charm of human interest to the book; but, after
all, it is the author's personality that invests it with its rare
fascination. It would not bear searching literary criticism;
fortunately, no one has been so ungracious as to apply it. It is more
to the purpose to remember that here is a young girl of exquisite
refinement, rare intellectuality, and the most overwhelming
enthusiasm, who has written herself into her work with all her girlish
fancies, her great love for the art, her glowing imagination, and that
rapturous devotion for the hero of her exalted world which is
characteristic of her sex at sixteen. And in doing this she has
pictured her dreams with most glowing colors, and told them with
delicate _naïveté_ and exuberant passion. In a word, she has expressed
the very spirit of music in language, and in a language so pure and
adoring as to amount to worship. In Disraeli's words, it is "the
imaginative classic of the divine art." To those who have not lost
their early enthusiasms, this little book will come like the perfume
of a flower, or some tone of a well-remembered voice, recalling the
old days and reviving an old pleasure. To those who have lost such
emotions, what is left but Lethe?
In preparing the work for publication, I have added some brief notes,
indicating the connection between the real and the ideal, and making
the meaning of the text clearer to the general reader of to-day.
Anything which will throw light upon this charming romance should be
welcome, and the more so that the gifted author has been strangely
neglected both in musical and general biographical dictionaries. It is
to be hoped that an adequate sketch of her life may some day appear.
GEORGE P. UPTON.
_Chicago, 1891._
CHARLES AUCHESTER.
CHAPTER I.
I never wrote a long letter in my life. It is the manual part I
dislike,--arranging the paper, holding the pen in my fingers, and
finding my arm exhausted with carrying it to and from the inkstand. It
does not signify, though; for I have made arrangements with my
free-will to write more than a letter,--a life, or rather the life of
a life. Let none pause to consider what this means,--neither quite
Germanly mysterious, nor quite Saxonly simple, like my origin.
Public-domain text, read in full here on John Shaqi.
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